What Makes The Signalman An Effective Mystery Story?

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William Hollis         10RAF        20/01/03        

What Makes The Signalman An Effective Mystery Story ?

 

The setting of the story creates a mysterious feeling from the start. Early on in the story Dickens begins building up the tension, the opening line says “Halloa! Below there!” this gets us immediately into the story showing us we must be follow the story carefully to understand it. This also gets the reader-asking questions like who is saying this? And whom are they speaking to?  We are given an eerie description of the cutting area; we are also given an indication that there may be something wrong with the figure at the bottom of the cutting. When the narrator calls down to the figure there is no response by the figure this leads us to believe there is something more to the man.

 

Dickens portrayal of the cutting and the tunnel is very detailed for example Zigzag and Gloomy. These words give the reader an image of the tunnel and cutting, resulting in the reader feeling involved. Dickens describes the area as “as if I had left the natural world” this tells us that there supernatural undertones running through the story. The story is set in the 19th century so this would make the supernatural genre more believable.  

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The signalman’s appearance and behaviour is also quite odd, we are told he looks at the bell when it doesn’t ring and also talks of a ghost. This is all painting a picture of a mysterious looking man. The signalman feels a real abhorrence for the tunnel he speaks of how he ran out of the place a lot faster than he ran in when he saw the ghost. Dickens effectively draws us into the plot and shortens the sentences and begins adding comma’s to build up the tension and anxiety. Dickens use personification, like “angry sunset” and “violent ...

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