What methods does Hardy use to gain, sustain and ultimately to satisfy the reader's interest in The Distracted Preacher and The Withered Arm?

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David E-Evans

English Coursework

What methods does Hardy use to gain, sustain and

ultimately to satisfy the reader’s interest in The

Distracted Preacher and The Withered Arm?

        Writing a good short story is difficult. But Thomas Hardy succeeded in writing excellent short stories. He did this by carefully planning them in order to gain, sustain and satisfy the reader’s interest. I will now be looking at how he manages this in The Distracted Preacher and in The Withered Arm.  

        After reading both stories I immediately noticed a similarity in their structure; there seemed to be four ‘peaks in tension’ and three ‘pits in tension’. In order to keep the readers interest’s Hardy keeps increasing the tension until it reaches a peak then he lets the tension fall until it reaches a pit. Using this method the reader gets more excited as the tension increases so he/she keeps reading. After Hardy has created a peak he lets the tension fall because this slows the pace of the story and it means that the next peak is all the more exciting for the readers. He creates these peaks so that each one has more tension than the last and therefore is more exciting for the readers. At the end of both stories the tension increases more and more until it reaches the final peak in tension. This means that the end of the story is very memorable and exciting for the reader. I have shown all this on a graph (see below).

         As I have shown Hardy was excellent at controlling the tension of the stories. In both The Distracted Preacher and The Withered Arm he controls the tension using three major techniques. The technique he uses the most is creating questions in the reader’s mind. For example in The Distracted Preacher when Lizzy says “Can you keep a secret?” we immediately want to know what that secret is and so in order to find out we read on. When we find out that the secret is the “smuggler’s liquor” we then want to know how it got there and why she is allowed to take some? In The Withered Arm Hardy continues to use this technique. A good example of this is when the milkmaids are talking about Farmer Lodge’s new wife and “as the milkmaid spoke she turned her face so that she could glance past her cow’s tail to the other side of the Barton, where” Rhoda was milking. At once we want to know why they are glancing at her? When we find out that it is because Farmer Lodge is the father of Rhoda’s son we want to know why he and Rhoda broke up? These are excellent examples of how Hardy plants questions in the reader’s mind then answers them. But sometimes the answers produce further questions hence making us read on

        Hardy’s second technique for controlling the tension is using character conflict. An example of this is in The Withered Arm when Hardy writes how Gertrude’s “face was so rigid as to wear an oldened aspect” and how Rhoda feels “a sense of triumph” that she has spoilt Gertrude’s beauty. Another example of conflict is in The Distracted Preacher but it is a different type of conflict. Stockdale’s conflict is between his “sweetheart”, Lizzy, and God. Hardy constantly shows us how his conscience is “struggling within him like a boiling pot” by giving Stockdale a moral test of whether to obey his love of God or his love of Lizzy. For example Stockdale’s conscience questions him on whether he is “quite justified in” drinking the “smuggler’s liquor”. Conflict introduces tension because there is always the uncertainty of who/what is going to triumph. Also as everybody has experienced conflict so we can all relate to it.

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        ‘Red herrings’ are the final technique that Hardy uses in both stories. For example in The Withered Arm we assume that Rhoda and Gertrude will hate each other. However, after they have met, Rhoda talks about “the sweet and kindly Gertrude Lodge”. From this it is obvious that they like each other and this is not what we would have expected. Another example of a ‘red herring’ is in The Distracted Preacher when Stockdale “saw an elderly woman” in Mrs. Newberry’s house we assume that this is Mrs. Newberry. But we soon discover that “Mrs. Newberry is not the old lady”. Hardy ...

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