What Part Does the Supernatural Play in Macbeth?

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Jamie Irvine        Macbeth Essay        09/05/07

What Part Does the Supernatural Play in Macbeth?

        Macbeth is one of Shakespeare’s best known plays. It was written between 1603 and 1606 which was the time when King James I came to the throne. James had a great interest in the supernatural and especially in witches as a group of witches had once plotted to kill him. When he came to the throne, King James ordered that his book “Daemonologie”, which was about the supernatural, be printed in London. His interest in the supernatural and especially witches was bound to be reflected in the public psyche at the time as the monarchy was very powerful. This would all go towards making Macbeth more interesting for his people. Many people were very frightened of witches and as such the community would be paranoid of them.

The name “Macbeth” is never said backstage at theatres as there is a lot of superstition surrounding it. Shakespeare was alleged to have used actual spells in the play so it was thought that if the name Macbeth was said the whole performance would be cursed and this superstition has been passed on and on and has never been forgotten to this day. In the theatre Macbeth will always be advertised and called “The Scottish Play” to avoid this curse.

The typical people accused of witchcraft would be spinsters living alone, especially ones with strange habits or any odd quirks that could be associated with witchcraft. Anyone accused of witchcraft would receive a show trial, if any at all, and even in the event of a trial a confession would be forced out of the accused – either by the threat of, or actual, torture. If found guilty (and they invariably were) they would be burnt at the stake. Between 1560 and 1603 16,000 people, mostly women, were convicted of witchcraft and burnt alive.

Shakespeare’s witches were portrayed as manipulative figures of evil. He also left a certain ambiguity about their sexuality and this in turn adds more mystery to them which would all go toward creating a frightening image for the population of the past.

In Act 1 Scene 1 we first meet the witches and it sets the mood for the rest of the play. We find the witches on an isolated moor totally disconnected from the rest of society and civilisation. As they enter, there is the obligatory bolt of lightening and clap of thunder that immediately gives an atmosphere of menace - striking fear into the audience of the past before the witches even speak. When we meet the witches we find them talking in rhyme about a future meeting with Macbeth. They say they will meet him ‘upon the heath’. If they do this they will have an element of control over him as he will be on their territory and in their world. An example of the way they speak in riddles is when they say:

‘Fair is foul, and foul is fair’

This line makes no sense as it is two oxymorons next to each other and the two statements themselves contradict each other, so making the whole sentence a contradiction in terms. This statement can be interpreted a number of different ways, all of which surround the witches with an air of mystery.

        The next act where we meet the witches is Act 1 Scene 3. Again we find them on the moor, this time talking of how they have wrecked a ship because a woman would not give one of them some food. This would make the audience of the time increasingly fearful of them and would reinforce the stories that they had heard of witches, thus reinforcing their already superstitious beliefs. In this act the witches also make their predictions to Macbeth and Banquo.

        Where they meet Macbeth and Banquo is of significance. It is on the isolated moor as they predicted. This draws them both away from civilisation and into the witches’ world which gives the witches a certain degree of power over them from the start. The first thing that Macbeth says as he enters is:

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        ‘So foul and fair a day I have not seen.’

This is repeating what the witches said in Act 1 Scene 1 and shows they already have gained more power over Macbeth. Banquo addresses the witches before Macbeth and talks of how ‘wither’d and so wild’ they are. In this instance alliteration is used is used to reinforce the point that the witches appear old and ugly. A few lines later the witches give their predictions to Macbeth. They read as follows:

   ‘First Witch        All hail, Macbeth! hail to thee, Thane of Glamis!

     Second ...

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