White Wedding

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White Wedding

As I hurried towards the church I realised, with that cold, sinking feeling one often gets at such occasions, that I was even more late than I had previously thought. There were rows of cars lining the streets around the church and no more guests were arriving. They all must be inside.

        I quickened my pace across the dewy grass and then began to jog, but I quickly slowed back down again to a brisk walk as my skirt began to ride up and my hair escaped from my bun.

        Having been unaccustomed to the amount of traffic in British streets, I had taken liberty with my time and had set off at eleven o’clock. For most of the morning I had sat slumped in my green Rover in a blockade of automobiles, horns blaring, people yelling and the velocity approximately ten inches per minute. I had underestimated the impediments of Monday morning traffic.

        Now, as I trotted through the graveyard, I made a mental note to leave, in future, at least two hours earlier than I usually would have done in Mongolia.

        I checked my watch. Twelve thirty. I was fifteen minutes late. I quickly approached the church and paused to gaze at it for a moment. English architecture was so different from Mongolian. The church was majestic and stately, but at the same time very pretty. The huge walls were built of heavy, sand-coloured stone slabs and a single turret spiralled up from the front of the building, roofed with red-brown slate. Elaborately carved figures were inset into the walls; one, I recognised as the Virgin Mary, bent over her child in her arms. There were other figures too, but they were unfamiliar to me, their features long since weathered away into blank, stone faces. The windows were stained-glass, and the one nearest to me held the image of Christ himself, long, white robes, a bright gold-plated halo and a myriad of angels and cherubs flocking in the sky around him, with joyous and exalted expressions. He stared down at me with unblinking eyes and I remembered I was late.

        One of the great, wooden doors was open a crack. From inside, I could hear the haunting and rather depressing sound of an organ playing the traditional English wedding tune. I peeked inside. The pews were full of shuffling guests, many of whom were wearing huge and wildly impractical flowered hats. Standing at the alter were the bride and groom. She was a hefty woman, to say the least, and towered over him. Her silken dress stretched alarmingly over her ample rear. Two small bridesmaids stood behind her, struggling with the voluminous frills of her train, seemingly smothered by them.

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        Taking a breath, I pushed open the door. It emitted a loud, ominous creak. A woman in the back pew turned and glared fiercely at me, inadvertently whacking the young child next to her over the head with a wreath of plastic grapes on her hat. I assumed she was the mother of the bride; they shared the same build.

As inconspicuously as possible, I crept down the aisles, crouched double, desperately scanning the lofty hall for an empty seat, while the guests stared at me with looks of mild indignation. Even the bride and groom turned to look. The ...

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