With close reference to language in Romeo and Juliet, write about the effects that love has on Romeo in Act One and Act Two and then compare the ways that Romeo and Juliet each speak of love.

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Christopher Hassell – 11c

With close reference to language in Romeo and Juliet, write about the effects that love has on Romeo in Act One and Act Two and then compare the ways that Romeo and Juliet each speak of love.

When Romeo first enters, he is suffering from lovesickness for Rosaline. He displays typical signs of Petrarchan love, and throughout Act One and Act Two, we watch as he suddenly loses his obsession with Rosaline and develops a passionate desire for Juliet. This is shown by the way he communicates with the other characters, and by the way the other characters speak of Romeo in his absence There is evidence in the language that suggests that Juliet has different ideas about love than Romeo.

While Lady Montague, Montague and Benvolio are talking of Romeo’s recent behaviour, from lines 109 – 148, Benvolio speaks of Romeo being “underneath the grove of sycamore” (line 114), and in Shakespearian times the sycamore tree represented disappointed lovers. Shakespeare uses it here to show how upset Romeo was, because his love for Rosaline wasn’t being returned. When Montague next speaks (lines 124 – 135), he speaks of how Romeo has been seen “Many a morning” in the woods “With tears augmenting the fresh morning’s dew”. He is talking about how Romeo was hides himself away in the woods, where he can cry alone. He carries on to say that when dawn breaks (comparing dawn-break to the Roman goddess of dawn – Aurora, line 129), Romeo hides himself away in his room “making himself an artificial night” (line 133), clearly manifesting his heartache. From this, Romeo could be said to be very immature still because by hiding away in the woods during the early mornings, and by creating an “artificial night” during the day he is being very melodramatic. Also, in Shakespearean times boys matured from 16 – 18 and Romeo was 16 at the time, so it could be said that he hasn’t yet matured. From lines 139 – 148, Montague goes on to back-up what he has just said “But to himself so secret and so close (line 143) … Could we but learn from whence his sorrows grow (line 147)” He is again saying how secret and withheld Romeo is being, and that at that present time they didn’t even know why Romeo was exhibiting such behaviour. Montague gives Benvolio the task of making Romeo speak.

Romeo first appears in Act 1 Scene 1, line 148 when Benvolio tries to get Romeo to express his feelings. Romeo appears to be deeply upset and melancholy and we hear how he has been up for a long time suffering quietly on his own, showing signs of Petrarchan love (named after the Elizabethan poet Petrarch), where he displays lovesickness, both in his language and in his behaviour, but Rosaline doesn’t return this love. From lines 169 – 181, Romeo uses oxymorons to describe his feelings, as was fashionable with all poets at the time –“Feather of lead, bright smoke, cold flame, sick health, still-waking sleep”. These are typical of a Petrarchan lover and this shows us just how confused Romeo’s feelings are. From lines 202 – 210, Romeo speaks of Cupid, the Roman god of love “She’ll not be hit with Cupid’s arrow.”, telling us how Rosaline refuses to be hit by his arrow of love and to fall in love with him. He goes on to say “She hath Dian’s wit.”, Dian being the Roman Goddess of virginity, and possibly meaning that Rosaline doesn’t want to make love with Romeo, and possibly showing that Romeo is immature and only looking for sexual love.

Act 1 Scene 2 sees the start of a chain of events which eventually bring Romeo’s problems to an end. Peter, Capulet’s servant, has been sent to find certain people to go to the Capulet’s ball that night. However, he cannot read, and a chance meeting with Romeo and Benvolio leads to Romeo agreeing to go to the ball to “examine other beauties” (Act 1 Scene 1 line 221). Act 1 Scene 4 follows the gloomy journey to Capulet’s house. To open the scene, Benvolio and Mercutio try to take Romeo’s mind off Rosaline and cheer him up. Romeo says that he will not dance, he will just be a torchbearer, and plays on the use of ‘sole’. He says, “You have dancing shoes with nimble soles. I have a soul of lead”. He is saying that he doesn’t want to dance because he is too miserable at the thought of Rosaline not returning his love. Romeo continues to be gloomy throughout this scene, and on line 44 Mercutio says “Come, we burn daylight, ho!”. He is saying that they are burning away their torches unnecessarily by just standing and talking, but Romeo is very bitter and replies “Nay, that’s not so.”, taking Mercutio at his word. From lines 56 – 97, Mercutio embarks on a long speech about Queen Mab. He plays on the meaning of Queen Mab here, because ‘Quean’ is slang for ‘whore’ and Mab was a stereotypical prostitute’s name. He was again trying to cheer Romeo up. However, we can still see that after this long spiel Romeo is still very bitter because he says “Peace, peace Mercutio, peace! Thou talk’st of nothing”, in other words “You’re talking nonsense”. Lines 108 – 115 Romeo speaks ironically of how he feels that “With this night’s revels, and expire the term of a despirèd life closed in my breast by some vile forfeit of untimely death.” He almost predicts what is about to happen.

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Act 1 scene 5 sees the change in Romeo’s character, from sad, gloomy and melancholy to a new, reborn, care-free Romeo. As soon as he sets eyes on Juliet, his melancholy disappear, which makes you wonder whether Rosaline really was his true love, or whether it was simply infatuation. From lines 42 – 50, Romeo perceives Juliet as a source of light “she doth teach the torches to burn bright (line 42) ” and “So shows a snowy dove trooping with crows (line 45)”. This talk is nothing like what we have heard so far from him. Romeo then goes ...

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