Write about Yosser (the main character) from series 4 ('Yosser's Story') of Alan Bleasdale's 'Boy's from the black stuff'.

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During 1982 Liverpool was going through a rough patch of unemployment. It affected a lot of people. There was loss of deep feelings, dignity and self respect.

        A series was made by Alan Bleasdale called ‘Boys from the Black Stuff’. It is showing the audience how unemployment changed lives and how it affected everyone.

I watched Series 4; ‘Yosser’s Story’. I will write about Yosser (the main character) and how his Stereotype figure, which is:

  • Tough guy
  • Aggressive
  • Threatening
  • Grumpy

I will explain how this changes to a real character and how the author uses techniques e.g. Dramatic monologues, juxtaposition and the dream sequence which makes us feel deeply for Yosser and his three children.

         In the play Yosser starts off being a very stereotypical person. He comes across as lazy and arrogant.

        He has a job (even though he is on the dole) at the building site, and he has the job of building a brick wall. Though he ‘claims’ he has done it before he puts the wall together using dry sand and bricks out of place and nothing is inline. It shows he is not really that bothered about it. Yosser is then fired from this job so in anger he storms off, whilst yelling out abuse he knocks down his pathetic excuse for a wall and storms off with his three children who also went to work with him. This behaviour shows us he is very arrogant.

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Yosser feels like he does not need anyone else to help him and so it’s as if he is walking away from the job rather the job walking away from him.

But in Yosser’s story, even though his stereotype becomes real his character stays the same, but because the author uses clever techniques so it entitles us to see deeper into his life.

We see that, actually, he is a caring and slightly heart warming character that just needs someone by his side to help him through his unemployment and his struggle through this rough stage off his life.

The ...

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