Another obvious trait of Mariko’s is that she is not loved by her mother. Sachiko implies that Mariko is a great burden to her when she says “things were very difficult when Mariko was born”. She also does not help Mariko cope with the ordeals she has been through, as she says to Etsuko, “So please don’t bother too much with her”. Sachiko simply does not care about Mariko, and fails to even stand up for her daughter when she is accused of something she did not do. When Sachiko drowns the kittens, the struggling animals are representative of Mariko’s emotional struggles for her mother’s love and attention. Near the end of the novel, when saying, “Do you think I imagine for one moment that I’m a good mother to her?” Sachiko admits that she knows she was never the caring, loving, devoted mother to Mariko she should have been.
Mariko is also seen to have a closed mind. Ishiguro uses pathetic fallacy to illustrate this point. Her thoughts are withdrawn and reclusive, and Etsuko says of Mariko, “I could see only darkness”. A quote in the spider scene, “[Mariko] closed her hand on top of it so that [the spider] was imprisoned”, is very symbolic in the sense that Mariko is imprisoned inside her own mind. Her relative reticence – “Mariko remained silent throughout that journey home” – is also likely a reflection of her withdrawn nature, as she thinks inwardly rather than voice them out like other children her age would.
However, Mariko also shows full affection towards things she deeply cares for. Her kittens are the prime example in this novel, and she makes constant and consistent reference to them. She insists on playing at the kujibiki stand until she wins a box which she uses as a home for her kittens - “We could carry the kittens in there…We could take them in the box, couldn’t we, Mother?” When Yasuko-San tells Mariko, “And you’re not to worry about your kittens”, we get the impression that Mariko has already expressed her concerns for the well-being of her pets to Yasuko-San. Mariko also tries to be protective of her kittens when Sachiko demands to have them by turning to Etsuko for support. She says, “Do you want to see [Atsu, one of the kittens], Etsuko-San?” once again illustrating her love for the kittens and also her helplessness in front of her mother, Sachiko.
Despite Mariko’s motherly disposition towards the kittens, she can also demonstrate very child-like behaviour. “Mariko shouted something and pointed. Then she hurried on excitedly.” This phrase, for example, shows the ‘normal’, innocent nature of a child she Mariko still has in her in spite of all that has ever happened to her. She shows similar behaviour in another section of the novel, when she “ran a little way ahead, then waited for us to catch up.” Her naivety is shown also when she is oblivious of a woman staring at her from the train platform. “Mariko continued to look out of the window, quite unaware of the woman.” Her enthusiasm when looking through her binoculars, “Mariko seemed to be testing the effectiveness of her binoculars, holding them to her eyes one moment, taking them away the next” is also a good example of when Mariko is still very much a child.
For most of the novel “A Pale View of Hills”, Mariko is presented as a young girl who has a hard time in communicating and socialising. She is often awkward, and clearly does not receive the amount of love she should be receiving from her mother. However, she also does display qualities that prove she would be a much better mother than Sachiko herself, and even hints that she would be an even better child than she is for most of the novel.
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