Meghan Jennings

Commentary #2

 It is said that there is no greater pain than that of a parent who’s lost a child, but there must be no greater conciliation than to know that the child has gone to a better place. Dana Gioia’s poem “Planting a Sequoia” from his collection “The Gods of Winter” is about the death of the poet’s stillborn child and the process Gioia uses to come to terms with his loss. We learn from the second stanza that it is a custom in Sicily, Italy to praise the birth of the first born by planting an olive or fig tree. But, here, on this sad occasion he’s planting not planting either because just as the child was born, it died. Instead, Gioia forms his own tradition and plants a Sequoia shrub. A Sequoia is a much less plentiful plant than the fig or olive, not producing a product like the other trees, but it is well known for its grandeur, it being a very large tree.

The setting of the poem is in a scene where the father and his brothers a planting the tiny Sequoia shrub that will one day become a large tree, “the native giant (Line 11), and involves the care and effort they put into the process. The hope of the father is for  when “our family is no more, all of his unborn brothers dead/Every niece and nephew scattered, the house torn down/ His mother’s beauty ashes in the air/I want you to stand among strangers.”(Lines 26-29) This quote perfectly encapsulates Gioia’s hope for his son’s legacy.

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The tree symbolizes the birth of a person and, in turn, symbolizes the rebirth of the dead child. The father seems to address the tree as if it is his son, referring to it as “you” and describing entities as “our family.”(Line 26) He also tends to refer dually to the tree and his son as “our native giant.”(Line 11) He also buries among its roots “a lock of hair, a piece of an infant’s chord, all that remains above earth of first-born son”(Lines 13-14), giving the tree a more human characteristic and furthering the idea that the tree represents ...

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