Gary Soto, in his passage from A Summer Life, depicts the guilt of his six-year-old self during a pie-stealing escapade.

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        Gary Soto, in his passage from A Summer Life, depicts the guilt of his six-year-old self during a pie-stealing escapade. His recollection of memories overflows with sharp imagery, sophisticated diction and intensifying repetition. Since written from a more mature standpoint, the memory seems well suited for these writing techniques. Though older, Soto uses imagery, diction, and repetition to immerse the reader in the guilt felt by his younger self.

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        Throughout the passage, Soto’s imagery dominates the phrasing. His sophisticated constructions and comparisons allow the reader to visualize the scenery just as the young pie thief himself would. As he is described wiping his “sticky fingers on the grass and [rolling his] tongue over the corners of [his] mouth,” the reader gets an accurate view of just how involved the juvenile Soto was in his indulgence. And as a burp “perfumed” the air, one can fully visualize a plump little child covered in his own sticky sin.

        Soto’s diction, too, is sophisticated in its delivery throughout the passage. He ...

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