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b) Study Sources C and D Were the artists of these two posters for or against Prohibition?

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Jessica Hallett b) Study Sources C and D Were the artists of these two posters for or against Prohibition? Throughout the nineteenth century, two Temperance movements, the Anti-Saloon League and the Women's Christian Temperance Union were very prominent in their attempt to make known their views. They believed that alcohol was pure evil and campaigned endlessly to pressure the Congress to ban it. They believed that it ruined family life because it took fathers away from their homes and it wasted the wages he earned, leaving the rest of the family poor and hungry. One thing that aided the fight they were caught up in was the propaganda posters that they produced and put up everywhere. Sources C and D are very typical of the Prohibition period and both have underlying messages that were very important then. The two sources were pre-Prohibition, being produced in 1910 and 1915 respectively. Source C shows a man at a bar, buying a drink, with other men in the background playing cards and a bartender who looks happy. The corner shows a family of a mother and children, which could be his, or a generic family, who seem to be hungry and poor. ...read more.


As he is handing over money to the bartender, he is almost paying his dues towards the 'club' he is unfortunately a part of. It also states that he has to pay dearly to 'belong' to this bar and this means that he is paying for his drink with money that should've been spent on his family. The other says "Slaves of the Saloon", which is very true as the man is obviously a regular attendee at the bar and so has become addicted to alcohol, causing him to become enslaved to drinking. This leaves his family poor as they are indirectly also slaves to alcohol. I believe that the artist's view is that alcohol can be seen as evil as it draws men into a sinful, wasteful life. The artist believes that bars have become clubs to which people will become poor because of alcohol. Because of the image of the poor and hungry family in the corner, it can be supposed that the artist sympathises with the families of men who drink. It shows that alcohol was thought of as "one of the great evils of the times" (Source B). ...read more.


It can be assumed that the artist is against alcohol and believes that it produces evil in families and leaves many women and children poor, hungry and without the basic essentials of life. I know that family life was held very highly by temperance movements such as the Anti-Saloon League and the Women's Christian Temperance Union, who believed that alcohol was evil and ruined family relationships. It kept families poor and directly hit children hard. Supporters of Prohibition, known as dries, claimed that "3000 infants are smothered yearly in bed, by drunken parents. This is reflected in the cartoon, so it may be probable that it was produced by one of these two temperance movements. In conclusion, I believe that the artists for both Sources C and D were supporting Prohibition and I think that both cartoons may have been produced by temperance movement groups such as the Anti-Saloon league and the Women's Christian Union. Both cartons represent alcohol in a bad light and show the disastrous effects that it can have on families and children. Propaganda posters like this were used by temperance unions to persuade the public and to bring pressure to Congress to ban the sale, manufacture and transport of alcohol. ...read more.

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