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Does Source B support the evidence of Source C about the Suffrage campaign?

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Assignment 2 Question 2 Does Source B support the evidence of Source C about the Suffrage campaign? During the early 20th century, Women's battle for equality reached its very peak as their campaign to be granted suffrage became even more passionate and frantic, as. It was around this time that the first real changes started occur; and as with any revolutionary crusade, there was a great deal of controversy surrounding it. It therefore comes as no great surprise that an immense amount of media was published concerning the subject. This was created by people on both sides of the campaign, and so there is a very wide range of the opinions voiced through forms of books, newspaper articles, speeches and in particular propaganda posters. Both these sources depict an extremely disdainful view towards women's suffrage, however to what extent they support each other in the rest of their views is rather debatable and needs to be considered to a further degree. Although these two sources were written for entirely different purposes, they surprisingly share one of their common principles, sending out an almost identical message on the actions of Suffragettes. ...read more.


This results in the viewer being able to interpret their main [points] even at a glance, which increases the liklihood of success of their work.(Success being that people begin to reflect on the situation through the view of the authors). Whilst the Sources may support each other in their fundamental [reasons], they differ quite a bit in the rest of their views. One of the biggest ways in which their opinions vary is on the whole suffrage campaign. Source B is quite clearly against the whole cause, as Corelli does not differentiate between Suffragists and Suffragattes whilst she is slandering female campaigners, and simply generalizes them together. On the other hand, Source C makes it clear that they have no [issues] whatsoever with Suffragists. In the portrait, the Suffragists is represented as calm, mature and is standing very upright and [sensibly]. She is making no radical actions, and appears to be heavily critizing the [actions] of the Suffragette. In the caption, she is even labelled as the 'Sensible Woman'. This implies that Partridge is by no means against the cause, and that if campaigners behave in appropriate and [sensible] manners then he is perfectly happy to listen to their cause, and that he is simply refusing to tolerate the violence of Suffragettes. ...read more.


In general, I feel that although the views of the two sources are in places identical, this is just a coincidence, as they are for different reasons. This is most likely due to the fact that the original media had different purposes. Source B was from a book which was very clearly anti-women's suffrage. Anyone who would be reading the book would clearly already be leaning towards these views, and Corelli was simply trying to persuade them more, or share her opinions with them. Partridge was using his poster to appeal to Suffragettes, and to the public, to try and make them realize that violent, militant campaigning was not helping the cause, and making the whole thing seem just rants of hysterical, moronic women. By acting like animals with 'shrieking' and 'shrill cries', they bring a bad reputation to all women, and simply give support to the claims that women were 'emotionally weak'. The one thing which they most storngly support each other in is in blaming Suffragettes for the level of disfain the public have towards Women's Suffrage, and it is this solely which links the too. ...read more.

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