Stalin; Man Or Monster Sources Questions

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Stalin; Man Or Monster

History Course Work 2001

) The three sources all show Stalin. 'A' is very different to 'B' and 'C' in many aspects, but there are also some similarities.

Source 'A' is a cartoon written in the 1930's and published in Paris, meaning it is uncensored and written at the time suggesting a knowledge of the period. The cartoon is basically showing the people the results of Stalin's policies; uncountable numbers of skulls representing the millions of dead, the crows and pyramids stretching into the distance adding to the sinister feeling of the cartoon. Stalin himself stands at the foot of the skulls a smug look on his face, almost 'showing off' his achievement. This sense of pride is mirrored in source 'B', the only similarity between the two sources, where Stalin is showing off a very different achievement, the building of a new hydroelectric power plant - a totally different view, one a monster, one of a good leader bringing life into the country.

Sources 'B' and 'C' are both in many ways similar to each other and different to source 'A'. 'B' a definite propaganda picture and 'C' a photo show Stalin as the 'peoples leader'; smiles and a comfortable air shown in both. Source 'B', notably an 'official' picture portraying Stalin's desired image for propaganda purposes show him as the caring leader of his people, laughing and looking relaxed with the lower classes. This is also seen in Source 'C', where he is, once again totally at ease with the people, smiling and shaking the hands of officer's wives. Both these sources show a friendly air to Stalin as opposed to the sinister Stalin in source 'A'. In both source 'B' and 'C' Stalin is shown with the people, yet still above them. In source 'B' he stands out in his 'gleaming' clothes, and in source 'B' he is literally above the people on a platform, the people reaching for him, showing no fear or apprehension. However there are some differences in 'B' and 'C'. In 'B' the viewer is given a very 'sterile' view of Stalin. The picture looks very 'set up' with a smug Stalin in a prearranged picture. Source 'C' however, Stalin looks very natural and approachable.

Source 'A' is almost in every aspect different to 'B' and 'C', the friendly approachable Stalin non-existent a sense of evil its replacement in showing off his death.

2) Source 'D(I)' is written by Stalin in 1945. At this time Stalin would still be in power, and regarded as somewhat of a hero to his people as winning the war. It doesn't give us a very good insight into the person Stalin was, as written by himself and obviously for propaganda purposes. He writes of his disgust of people's disregard for life; in definite contrast to source 'A', where he seems almost proud of this disregard for life. He comes across as a great leader, forever worrying and caring for his people. Source 'D(ii)' however disagrees with this, the image of people 'walking in disgust through the pools of their comrades and friends blood' very strong and vivid. However, if not a useful insight to how people saw Stalin, it is defiantly a good example of how he wants the people to see him. It was written by Stalin for the people to read as a piece of propaganda. If any piece of propaganda would put across a leaders desired image it would be the one written by the leader himself. His words put across is believe that he is not like the 'other leaders', but persecuted by the 'common enemy', talking about his exile. He also wants to be seen as 'the peoples leader'.
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3) Sources 'E' and 'F' are very different in opinion, suggesting that both can not be correct as at two extremes of opinion. Source 'E' talks of an 'inspired leader', who is 'strong', 'beautiful', 'wise' and 'marvellous'. 'F' on the other hand, talks of an 'unhappy', 'narrow minded', 'malicious man' and is also described as a 'devil'. Therefore there must be reasons for the difference in written opinion.

A writer for a public speech wrote source 'E' in 1935. As we know, people had to be careful what was said as people were often subject to terror ...

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