What were the main features ofStalinist culture?

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Jan 2002 : Module 3

  1. What were the main features of Stalinist culture? (8 mks).
  2. To what extent was the transformation of Soviet agriculture and industry in the period 1929-41 achieved at too great a cost to the people of the Soviet Union? (22 mks).

Ans. (1)  Stalin`s determination to personalise the political system and to transform the economy had a profound effect on society and culture in the Soviet Union.

The Bolsheviks under Lenin introduced radical changes – which were intended to transform all areas of society and culture and to remove bourgeoise (ruling class) influences.

In culture, the Stalinist regime initially sought to continue the early radicalism of the Bolsheviks.

Art and literature were mobilised specifically for the Five-Year Plans and Collectivisation.  ‘Artistic brigades’ were set up, subordinate to the Russian Association of Proletarian Writers (RAPP).

Novels idealised the heroic achievements of the Five Year Plans and plots became highly stereotyped.

The problem was that works of real merit were excluded, while local judgement, on broadly interpreted political criteria, allowed  mediocrity to flourish in an atmosphere of repressive confusion.

Clearly something had to be done to instil a greater degree of order so in 1932 RAPP was replaced by the Union of Writers, which redefined cultural criteria in accordance with the precepts of Socialist Realism.  Stalin interpreted this as being ‘socialist in content and nationalist in form’, arguing that writers should essentially be ‘engineers of human souls’.

The whole expression of culture became caught up in the Stalinist personality cult, which meant that in the long run the criteria for quality were decided by the General Secretary himself.

As in all other areas, Stalinism had a mixed impact on culture.  On the one hand, Stalin placed firm controls on the experimentation of the 1920s and did whatever possible to reduce all art forms to state subservience.  This had obvious implications for quality.  On the other hand, the Soviet Union did, in one or two areas, experience something of a renaisaance (re-birth).  Probably the most productive of the arts between 1924-53 was music.  Stalin`s own tastes were extremely limited and therefore restricted experiment or innovation.

He disliked the atonal (not written in any particular key) music that was appearing in the 1920s and, like Hitler, insisted on melodic themes.  Yet composers were able to work more successfully under such constraints in the Soviet Union than they were in Nazi Germany (eg the output of Prokofiev, Kabalevsky and Shostakovich was impressive by any standard).  The Soviet Union had a greater musical output than any other dictatorship of the 20th century.

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Artists were less renowned for work of high quality.  Painting was more directly exposed to connections with political propaganda – which meant that the majority of pictures were stilted and identified with the official line on collectivisation.  The most common themes were therefore contented peasants on collective farms, industrious workers etc.

Archictecture was even more directly controlled by the State, since plans and designs could rarely be implemented without State funding.  Priorities were given to prestige projects, which formed an integral part of the regime`s obsession with ‘gigantomania’.

Also under state control and geared to propaganda purposes was the film ...

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