How does director Baz Luhrmann use cinematic devices to hook the audience in the opening sequence of Romeo + Juliet?

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How does director Baz Luhrmann use cinematic devices to hook the audience in the opening sequence of “Romeo + Juliet”?

  The part of the film we are studying is packed full of action. It has several different genres in this first eight minutes that include gangster, spaghetti western and action as well as Tybalt’s melodramatic ballet moves. The audience is hooked because of the large amount of action and suspense.

   I am going to start by speaking about how Luhrmann uses iconography to hook the audience. The first major icon is the giant statue of Jesus standing between the two large skyscrapers, one with Montague on the top and the other with Capulet; this symbol could have several meanings. One is that religion is the only thing stopping the two families from all out fighting; another is that religion is the only thing separating the two families from being friends. After this the symbols are quite obvious but harder to deduce a meaning from them in the first viewing such as the sign in the petrol stations fore court that says “add more fuel to your fire”, this is just what the Capulet and Montague boys are doing by fighting. They are adding more fuel to an already raging fire. I think quite a major sign is the picture of Jesus on the cross-printed on the weapons and also on Tybalts top, this conveys that the families are religious. However no religions condone violence and murder. This device hooks the audience by asking questions in their mind that they want answering.  

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   Operatic music playing in the background adds to the dramatic effect of the documentary like introduction. Operatic music is useful because it is generally taken seriously adding to the documentary style of presentation. When Benvolio come out of the toilets and tells the Capulets to raise their swords there is a moment of silence emphasised by the whistling of the wind and the creaking of the sign. This builds the apprehension of impending violence.

  The scene started with aerial shots of the cities streets below showing pictures of a large chaotic city, adding to the sense ...

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