'Of Mice and Men' - novel and film comparison

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Of Mice and Men

This is a comparison between Steinbeck’s original novel Of Mice and Men and the 1992 film version. I will be comparing the two beginnings, the presentation of Curley’s wife, and the treatment of a powerful scene.

Of Mice and Men is one of those classic stories about friendship, loyalty, sacrifice and broken dreams. The 1992 film was directed by Gary Sinise, who also played the part of George Milton. This film was in fact the first film he had ever directed and I believe it to be very successful.

The film follows the overall content of the novel, however, there are some key differences: The introduction to the film has two complete differences, the presentation of Curley’s wife, and also the treatment of a powerful scene, which will be focused on the ending.

In the beginning of the Novel, it is set in Soledad. Steinbeck creates a very tranquil opening and gives the impression that it hasn’t been disrupted by human interference. ‘’On the sand bank under the trees the leaves lie deep and so crisp that a lizard makes a great skittering if he runs among them’’. However, even before the reader is introduced to the two protagonists, Steinbeck includes that this peaceful, animal inhabited area is frequently interrupted my humans. ‘’a path beaten hard by boys coming down from the ranches to swim in the deep pool, and beaten hard by tramps who come wearily down from the highway in the evening to jungle-up near water.’’ This quote shows that this has been a place humans have to for a long time. The use of the word’s ‘beaten hard’ is associated with a path which has been walked on for many years. This tells the reader that however peaceful the area may be, it has always been trespassed by humans. The animals react in fear due to the sound of footsteps mentioned again. This also suggests that the animals are not used to humans entering their little world and thus they hide away.

‘’The rabbits hurried noiselessly for cover. A stilted heron labored up into the air and pounded down river. For a moment the place was lifeless, and then two men emerged from the path and came into the opening by the green pool.’’

The description of George and Lennie’s entrance indicates that George appears to be in change. ‘’They had walked single file down the path, and even in the open, one stayed behind the other.’’ This shows the reader that there isn’t a close bond of friendship, but more of a leader and a follower, i.e. George being the leader, and Lennie the follower.

The description of George and Lennie gives the reader a sense of their characters immediately.

‘’The first man was small and quick, dark of face, with restless eyes and sharp, strong features. Every part of him was defined: small, strong hands, slender arms, a thin and bony nose.’’ This shows the reader that George is a man of intelligence and means business. Lennie’s description on the other hand is described as someone who is quite the opposite. ‘’Behind him walked his opposite, a huge man, shapeless of face, with large, pale eyes, with wide, sloping shoulders; and he walked heavily, dragging his feet a little, the way a bear drags his paws. His arms did not swing at his sides, but hung loosely.’’ Lennie is described physically with a great use of animal imagery. This adds to the fact that Lennie does lack intelligence. In his description he indicates that Lennie is also someone in need of guidance and cannot think on his own accords which could conclude why George is with him.

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The beginning of the film is very different compared to the novel. It isn’t shown as peaceful at all. In fact the music used gives a great feeling of intensity and panic. When the piano is included with the rhythm of the violin, it adds a sense of hopelessness. There are notes played on a higher scale of the piano which insist a sense of innocence, however, nothing is suggesting happiness.

The opening scene begins on a train with George sitting alone looking very strong in the darkness of the carriage. Although the train is very dark, beams ...

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