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The use of Music in the movies

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Introduction

The use of Music in the movies [Name of the writer] [Name of the institution] The use of Music in the movies T? ??y th?t mu?ic pl?y? ? l?rg? r?l? in ?ur ??ci?ty w?uld n?t d? ju?tic? t? ?n? ?f th? m??t imp?rt?nt ?nd p?pul?r ?rt f?rm? ?f y??t?rd?y ?nd t?d?y. W? und?r??tim?t? th? ?ff?ctiv?n??? ?nd p?w?r th?t mu?ic, in ?ny f?rm, c?n h?v? ?v?r ?v?n th? m??t in??n?itiv? ?f p??pl?. In ?lm??t ?v?rything w? d? ?nd ??? mu?ic i? inv?lv?d in ??m? f?rm ?r ?n?th?r. B? it ? pi?c? pl?y?d ?t ? w?dding, ? ??ng pl?y?d ?n th? r?di? ?r ?v?n th? mu?ic pl?y?d in th? b?ckgr?und in ? t?l?vi?i?n c?mm?rci?l. Th? mu?ic i? ?lw?y? th?r?, r?minding u? ?f p??t ?xp?ri?nc??, m?king u? ?mil? ?nd f??l ?xhil?r?ti?n ?nd ??m?tim?? ?v?n m?king u? cry. It i? thi? p?w?r th?t mu?ic h?? ?v?r u? th?t film ?c?r? c?mp???r? t?k? ?dv?nt?g? ?f wh?n th?y ?r? writing th? mu?ic t? ?cc?mp?ny th? m?vi??1. ?? li?t?n?r? w? ?ft?n d? n?t ?ppr?ci?t? th?t th? mu?ic th?t i? ?c?r?d f?r film? ?r pl?y?d in film? i? put th?r? ?n purp??? t? cr??t? ? c?rt?in f??ling, ?mph??iz? ? p?int, ?nd giv? m?r? lif? t? ? ch?r?ct?r ?r ??m?tim?? t? ?imply ?dd hum?ur. Wh?t th? ?v?r?g? m?vi?g??r d??? n?t u?u?lly r??liz? i? th?t ? gr??t d??l ?f tim? ?nd th?ught g??? int? ...read more.

Middle

t? ?it. B?c?u?? th? mu?ici?n? w?r? in?xp?ri?nc?d with ?cc?mp?nying film? th?y pl?y?d wh?t th?y lik?d ?r wh?t th?y kn?w. Thi? m?d? it unc?mm?n th?t th? mu?ic ?ctu?lly fit with th? ?cti?n ?n th? ?cr??n. Th? mu?ici?n? p?id littl? ?tt?nti?n t? th? film ?nd pl?y?d ?rbitr?rily. Thi? m??nt th?t ?ft?n ? ??ri?u? ?r dr?m?tic ?c?n? w?uld b? ?ccurring ?n th? ?cr??n wil? th? mu?ici?n pl?y?d ??m?thing c?mic?l ?r ??m?thing th?t b?l?ng?d t? ? ?c?n? with ? c?r ch???. ??und-?ff?ct? m?n w?r? ???n ?dd?d t? th? ??und? b?hind ? film. Thi? w?uld b? ? m?n th?t cr??t?d n?i???, ?rg. tr?in whi?tl?? ?nd b?ll?, fir? ?ngin? b?ll?, gun ?h?t?, ?xpl??i?n?, c?nn?n fir?, ?tc. in ?rd?r t? ?dd r??li?m t? th? film. Thi? m?d? m?vi?-g?ing m?r? p?pul?r which in turn b?tt?r?d th? ?t?nd?rd ?f m?vi?-m?king. It w?? ?t thi? p?int th?t th? mu?ici?n? hir?d t? ?cc?mp?ny th? film? b?g?n t? t?k? th? mu?ic m?r? ??ri?u?ly. ??t ?t?nd?rd? w?r? cr??t?d but th? mu?ici?n'? j?b w?? t? m?k? ?ur? th?t th??? ?t?nd?rd? did n?t b?c?m? m?n?t?n?u?. Th?y ?l?? b?g?n th? u?? ?f ?impl? m?tif th?t w?uld intr?duc? ? ch?r?ct?r ?r f?r??h?d?w ?n ?v?nt. Th? m?tif? ?r? th? ?l?m?nt? ?f th? mu?ic th?t ?r? ?xtr?m?ly imp?rt?nt in ?h?ping th? ch?r?ct?r? ?nd th? th?m? ?f th? film3. It w?? th? u?? ?f th??? m?tif? th?t m?d? th? mu?ic much m?r? ??phi?tic?t?d ?nd p??pl? ...read more.

Conclusion

??urc? mu?ic i? th? mu?ic th?t c?n b? h??rd c?ming fr?m ? r?di?, ? d?nc? club b?nd, ? m?rching b?nd, ?tc. Th? mu?ic th?t i? ch???n t? b? pl?y?d in th??? ?c?n?? i? put th?r? t? ?cc?ntu?t? th? p?int ?f th? ?c?n?, t? ?dd hum?ur ?r ?v?n t? m?k? th? ?c?n? ???m ir?nic. Thi? ??urc? mu?ic c?n ?l?? b? u??d t? f?r??h?d?w upc?ming ?v?nt? ?nd pr?p?r? u? f?r th? n?xt ?c?n?. Th? un?rigin?l ?c?r? i? mu?ic th?t h?? b??n writt?n by ??m?b?dy ?l?? but h?? b??n pl?c?d in th? ?c?n? t? ?dd ?ff?ct. End notes 1. Bazelon, Irwin. Knowing the Score. Van Nostrand Reinhold Co, New York. 2. Hoffman, Charles. Sounds for Silence. DBS Publications, New York. 3. Kalinak, Kathryn. Settling the Score. The University of Wisconsin Press, U.S.A. 4. Manrell, Roger and John Huntley. The Technique of Film Music. Focal Press, New York. 5. McCarty, Clifford. Film Music. Garland Publishing Inc., New York. 1 1. Bazelon, Irwin. Knowing the Score. Van Nostrand Reinhold Co, New York. 2 2. Hoffman, Charles. Sounds for Silence. DBS Publications, New York. 3 1. McCarty, Clifford. Film Music. Garland Publishing Inc., New York. 4 3. Kalinak, Kathryn. Settling the Score. The University of Wisconsin Press, U.S.A. 5 4. Manrell, Roger and John Huntley. The Technique of Film Music. Focal Press, New York. ?? ?? ?? ?? 1 Music ...read more.

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