three 1950s Genres

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Eva Guttesen

Three 1950s Genres

Rock n’ Roll

Rock n’ Roll started in the south. It began more or less with the Saturday Night Jamboree, with Sun Records artists like Elvis Presley, Chuck Berry, Carl Perkins and Jimi Hendrix getting together and having jam sessions backstage. White Rock n’ roll music was a fusion of blues and country. It is simple with the instruments, for example the drums are very straight forward, not many fills, use of slapped bass, but also gradually using electrical instruments, for example the electric guitar that Chuck Berry used as a main instrument. He was the first one to do that.

“With teen culture came also teen disaffection, teen rebellion, and occasionally teen violence. There wasn’t really much of that with Rock ‘n’ Roll , but the music attracted plenty of disapproval for its sexuality and its noise.”

Before the 50s the term teenager was not used. You went from being a child to a grown up with no in betweens. Rock n’ roll changed that. Suddenly there was a distinction between what kind of music parents and their kids were listening to. Rock n’ roll attracted a teenage crowd. It was raw, rhythmic and loud, and many older people did not approve of its sexuality and noise. With this music came also a change in the relations between black and whites. In 1955 Alan Freed’s radio program

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“Rock n’ roll Ball” draws a huge white audience. And even though white teenagers could not get into black clubs and vice versa, black artists, black music got onto television and white teenagers could see them. With this result the independent labels (mostly black people) boomed with an increase in income from 22% to 56% in the late 50s. The four major labels had a decrease from 78% to 44%. The music market doubled from 1955 to late 50s and the rock n’ roll share of that was almost half. This shows us that clearly something big was happening within ...

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