The Design Argument for the existence of God.

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The Design Argument

The Design Argument for the existence of God is often known as the Teleological Argument; telos meaning ‘end’ or ‘purpose’ in Greek. It is a posteriori argument based on observation of the apparent evidence of order, purpose and regularity in the universe, which makes the world appear to be designed. Such design implies a designer and this serves as a basis for the belief in God, the grand designer of the world, the universe and all that is in them. This argument makes the basic assumption that design does exist in the universe and that all things have a specific purpose and can be divided into two categories: design qua regularity and design qua purpose.

Design qua regularity looks at design in relation to the order and regularity in the universe (e.g. cycles, seasons). Philosophers who support this argument consider that the order and regularity shown in the universe is evidence of a designer at work. Thomas Aquinas’ Teleological argument argued from design qua regularity in the fifth of his Five Ways. Taken from the governance of the world, Aquinas argues that since those things that lack knowledge seem to innately act towards a beneficial end, and this is evident from the regularity seen in the universe – how things always or nearly always act in the same way to obtain the best result. Hence, it can be concluded that they reach their end designedly. Whatever lacks knowledge must be moved towards an end through the guidance and direction of an intelligent being; e.g. as the arrow is directed by the archer. This intelligent being must be God.

Design qua purpose looks at the evidence of design in relation to the ways in which the parts of the universe appear to interconnect to fulfil a specific purpose (e.g. the human eye, ear). The universe may be likened to a man-made machine, such as a radio, in which the designer fits all the parts together to serve a particular function – the parts of a radio are fitted together to receive sound. If the parts were instead fitted together randomly, they would not serve such purpose anymore. Likewise, there are complex arrangements within nature that have been fitted together by the designer of the universe for special purposes.

William Paley argued from both design qua regularity and design qua purpose and: He used the all-famous analogy of a watch to illustrate the idea of ‘design’ and ‘order’. The watch was seen as a complicated and man-made product compared to the complicated and ordered universe. If we were to come across a watch, we would conclude that it had been made for a purpose and had not come into existence by chance. An intelligent person would infer design because of its purpose. His argument stems from the notion that just as the watch was the result of intelligent design, the universe must have been brought into existence by an intelligent designer, God. Paley pointed to astronomy and Newton’s laws of motion as evidence of design qua regularity. The way planets rotate within the solar system, obeying the same universal laws holding their orbits because of gravity, could not have occurred by chance. Thus, we may conclude that an external agent must have imposed order and regularity on the universe as a whole.

In the twentieth century, Arthur Brown supported Paley’s design argument based on astronomy. He pointed to the ozone layer as evidence of design, arguing that the purpose of the ozone layer is concrete evidence of a plan – how it filters out UV rays in order to prevent death to every living thing through precisely the right thickness and correct defence.

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In the physical world, when we observe various things that have been made, we know that there is a designer behind all of them. For example, we look at a watch; camera or computer and we realize that someone had to purpose, plan and build these marvellous machines.

If that is so, then what about the Universe in all of its complexities? If the camera has a human designer, is it not reasonable to think that the human eye (more complex than any camera) has a Divine Designer? If the computer has a human designer, is it not reasonable ...

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