Cultural Analysis of a Person: can we read people as cultural texts

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Nicolas Peristianis                Tutor: Jack Nye

Cultural Analysis of a Person: can we read people as cultural texts

I have decided to do the cultural analysis of a person, and I have also decided that the subject for my assignment will be a close friend of mine, my reasons for doing this are because I believe that this person is the perfect example of today’s materialistic consumer and represents a wide range of the publics positive and negative aspects in a variation of ways which I plan to go into more detail on how exactly she does this further on in the assignment. Also in my assignment I will be using certain viewpoints and perspectives of certain theories made on cultural analysis and anthropological studies by leading theorists in their field, I will then put these theories in to context with my friend and see if they relate, or what they would tell us about my friend. (Manuel Castells) ‘…All identities are constructed. The real issue is how, from what, by whom and for what. The construction of identities uses building materials from history, from biology, from productive and reproductive institutions, from collective memory and form personal fantasies, from power apparatuses…But individuals, social groups, and societies process all these materials and rearrange their meaning, according to social determinations and cultural products that are rooted in social structure’. I will be carrying out my analysis by concentrating on some of the areas covered in the above quote, but mostly my references will be linked to bodily adornment, taste, power, discipline, media influences, class, gender and the subjects different public and private image. The subject of my assignment will remain anonymous therefore I will be referring to her with an alias name of Sarah Smith

As a generalisation, I believe it is safe to say that most women are deeply concerned with how they appear to both people they do and do not know (public and private image). I know for a fact that keeping up appearances is one of Sarah’s highest priorities even if she doesn’t know this herself. Sarah may influence her image in many different ways; bodily adornment is the most central of these aspects, others to be taken into account are: cosmetics used, diets taken, periods of exercise, language spoken and even what scent she gives off. This could be seen from the perspective that (Robert Cooper) ‘the human agent as a producer and consumer is necessarily included as an assemblage of incomplete parts that can be continually combined and permutated in a system of infinite convertibility.’ So in a simplified version of this statement; Sarah can wear the same earrings with two different dresses but only maybe one type of shoes, and these things by themselves are useless but when used properly must compliment other items, these items in turn run out of others to compliment and thus results in the buying of new items which contribute to the (Robert Cooper) ‘making and remaking of itself from the human body and its parts that serve, in association with non-human part-objects, as raw material for social and cultural reproducibility’ so there will always be something new to buy, that will go with one of the many bodily adornments Sarah owns, it is just a case of matching colour or style, which is not that hard to do, meaning the sale of these items would never really go down, because there is always new ones coming out to ‘re-make’ the public image of themselves to each other.

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        Since deciding on a project for my assignment I have been monitoring Sarah’s consumption of what I have categorised as her ‘wants’ and ‘needs’ these are from such a wide range which can start at simple food and drink and ends at novelty phones and houses. I have also recorded what she would like to buy, but only when mentioned as a passing comment, for example; whilst on an outing with Sarah- she was viewing houses to live in next year. We were stood outside a normal, whitewashed, three windowed, house with nothing particularly outstanding to see from the outside, ...

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