Getting what one wants is presented as much more important then being good' To what extent and in what ways, does your reading of the bloody chamber collection support

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‘Getting what one wants is presented as much more important then being good’

To what extent and in what ways, does your reading of the bloody chamber collection support this view?

Introduction:

Carter stretches the limits of what is good and what is morally right, challenging the social conventions of the 1970s. Fairy tales where traditionally used to acts as cautionary tales for young women, showing them how to behave in later life. Carter’s follow a similar idea, with new lessons for new generations of women in what can be seen as a didactic text. Her characters are as shocking and explicit as her writing and through their taboo actions Carter is asking her readers whether they are being good or merely just concerned with their own self-gratification.

First Paragraph: What is ‘being good’ to Carter?

Point- this is a statement that carter gave in an interview and I would quote this somewhere in this paragraph because the statement has no real basis on Carters work because her characters aren’t preoccupied with being good at all, and through this Carter is trying to question our patriarchal society and what its morals are.  I like this quote cause it gives it own example and explanation, which you can just paraphrase.

I think authentic behaviour means good in the quote:

Explanation -How do we know what is authentic behaviour and what is inauthentic behaviour? It's about the complex interrelation of reality and its representations. It has to do with a much older thing. I suppose it comes back to the idea of mythology and why I talk so much against religion. It's because it's presenting us with ideas about ourselves which don't come out of practice; they come out of theory. They come out of pure theory, and that's what that is about.

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Example- There's a story in The Bloody Chamber called "The Lady and the House of Love," part of which derives from a movie version that I saw of a story by Dostoyevsky. And in the movie, which is very good, the woman, who is a very passive person and is very much in distress, asks herself the question, "Can a bird sing only the song it knows, or can it learn a new song?" Have we got the capacity at all of singing new songs? It's very important that if we haven't, we might as well stop now. Can the marionette ...

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