Max Weber (1864 - 1920)

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Max Weber (1864 - 1920) conceived of modernisation as a universal process of rationalisation that occurs as humanity becomes disenchanted with religious worldviews

Rationality is redefined as thinking that is ready to submit to criticism and systematic examination as an ongoing process. A broader definition is that rationality is a disposition expressed in behaviour for which good reasons can be given.  

It is the science and engineering of making intelligent machines, especially intelligent computer programs. It is related to the similar task of using computers to understand human intelligence, but AI does not have to confine itself to methods that are biologically observable.http://www-formal.stanford.edu/jmc/whatisai/node1.html

According to Weber, rationalisation creates three spheres of value as the differentiated zones of Science, Art and Law. This fundamental disunity of reason constitutes the danger of modernity. This danger arises not simply from the creation of separate institutional entities but through the specialisation of cognitive, normative and aesthetic knowledge that in turn permeates and fragments everyday consciousness. This all-pervasive 'rationalisation' is argued to have profoundly negative effects on socialisation, social integration and cultural production.

This 'disunity of reason' implies that culture moves from a traditional base in a consensual collective endeavour to forms which are rationalised by commodification and led by individuals with interests which are separated from the purposes of the population as a whole. This 'purposive rational action' is steered by the 'media' of the state, which substitute for oral language as the medium of the co-ordination of social action. There is then antagonism between these two principles of societal integration - language, orientated to understanding, and 'media', which are systems of success orientated action.

The same 'disunity of reason' caused by the separation of science, morality and art means that cultural production moves from a collective basis to a commodified basis led by individuals orientated to their own success rather than to a collective well being. The Exploding Cinema collective is clearly in the language camp and keeps itself distanced from state 'media'. The point is that for Exploding Cinema to be understood as part of this area of 'language' it needs to be seen as part of oral culture rather than the literary culture of formal written discourse.

Following Weber, Habermas sees specialisation as the key historical development, which leads to the alienating, effects of modernity that 'permeates and fragments everyday consciousness'. Exploding Cinema can be a seen as a site of reintegration: an active audience; an MC as a live intermediary; an integration of live performance; a close alliance with other cultures of resistance. But it also still sees itself within the separate category of 'film' even if this is marginalised. I have tried to reframe Exploding Cinema activity by relating it to 'amateur film', a category which breaks the professional envelop and reconnects the representation with everyday life - to make this connection, which is latent within Exploding Cinema practice, realised as discourse. However this implies that a full evaluation of Exploding Cinema may first require a radical legitimisation of the realm of amateur film.

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Following Weber, an increasing complexity arises from the structural and institutional differentiation of the lifeworld, which follows the closed logic of the systemic rationalisation of our communications. There is a transfer of action co-ordination from 'language' over to 'steering media', such as money and power, which by-pass consensus orientated communication with a 'symbolic generalisation of rewards and punishments'. After this process the lifeworld 'is no longer needed for the co-ordination of action'. This results in humans ('lifeworld actors') losing a sense of responsibility with a chain of negative social consequences. Lifeworld communications lose their purpose becoming irrelevant for the ...

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