Abel Sanchez- perceptions of Abel

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Abel Sanchez

By: Miguel de Unamuno

The alternative perception the reader gets on Abel’s character from his son’s perception.

        The perception that Abel’s son, Abelin, had on his father provided the reader with an entirely alternative outlook of Abel’s character. In the beginning of the story, the reader understands Abel’s personality to be charming, artistically inclined, and versatile for everything seemed to come easy to him, something Joaquin envied with rage. The viewpoint of this man had only been through the eyes of Joaquin until his son had an entirely different perception of his father which caused the reader to think and revaluate the attributes given to the character of Abel. It makes one wonder whether he is as incredible a man as Joaquin accredits him for, or is Joaquin merely a sick, twisted man that distorted the personality of Abel in his mind to be someone great hindered by the flaws of his jealous rage and brotherly competitive ways? Also, one must take into account the biases that his son Abel could have that influenced his conception of his father; it is common for young offspring to not approve of their parents, especially if they have difficulty identifying with each other in an occupational and talent based sense. Therefore, it isn’t easy to distinguish which perceptions of both Joaquin and Abelin are true of Abel because the relationship of Joaquin and Abelin to Abel are entirely different; son versus best friend.

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        The perception that Abelin gives of Abel is understatedly a negative one, and he wishes to release this view of his father on Joaquin, almost like it was a burden inside of him that needed to come out. It is obvious that Abelin feels very strongly about his father, and even mocks his profession that he is so famous for. He claims that not only does painting not interest him, but his father’s painting even less for he finds Abel may be a good artist by science, but does not paint within himself; it lacks emotion, insight and feeling.  Then ...

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