Gatsby as the Tragic Hero

According to Aristotle, a tragic hero can be defined most simply as a character that, in spite of a basic goodness, has a tragic flaw which eventually leads to his downfall. In detail, these tragic heroes usually fall into six basic characteristics: man of noble stature, although preeminently great he is not perfect, his downfall is partially his own fault, his misfortune is not wholly deserved, he arouses solemn emotions like pity, fear, compassion, and awe from the audience, and some increase in awareness or gain in self-knowledge, and. In F. Scott Fitzgerald’s, The Great Gatsby, Fitzgerald follows the Aristotelian characteristics of a tragic hero in his construction of the character Jay Gatsby to make him “The Great Gatsby”.

First of all, the tragic hero is a man of noble stature, usually a king or prince, or in the case of a modern novel like The Great Gatsby, the tragic hero may come from nothing and rise up to a high status as is the case with Gatsby. His humble beginnings can be seen on page.104 with the description of his parents, “His parents were shiftless and unsuccessful farm people.” Although his ambition for wealth and improvement were always in his mindset as is seen on page181through 182 when Gatsby’s father shows Nick the book from Gatsby’s childhood which within holds resolves like, “Practice elocution, poise, and how to attain it, study needed inventions, and read one improving book or magazine per week.” As Henry later on that page states, “Jimmy was bound to get ahead.” Symbolically, Gatsby’s name change from his legally-born name of James Gatz to Jay Gatsby furthermore supports this change in status, as affirmed on page.104, “The truth was that Jay Gatsby, of West Egg Long Island, sprang from his platonic conception of himself…He invented just the sort of Jay Gatsby that a seventeen year old boy would be likely to invent, and to this conception he was faithful to the end.” The last part of this statement definitely holds true and is observed by Nick with the description of Gatsby’s mansion on page.9, “It was a factual imitation of some Hotel de Ville in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy and a marble swimming pool and more than forty acres of lawn and garden.” The description of Gatsby’s house certainly is not from an unsuccessful farmer but of an ambitious businessman. Nick also witnesses another demonstration of Gatsby’s status on page.72 when a policeman tries to stop them, Gatsby, “taking out a white card from his wallet he waved it before the man’s eyes.” And the policeman states, “Right you are. Know you next time, Mr. Gatsby. Excuse me.”  This quote directly exhibit Gatsby’s rise in status, as he is able to ward a cop off by merely flashing a card. These quotes show his rise in class status.

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This characteristic of a noble stature can also be related to his character or quality about him. This feeling of Gatsby’s greatness is seen on page.25, before Nick even meets him he says, “Something in his leisurely movements and the secure position of himself, come out to determine what shares was his of our local heavens.” Nick here presents Gatsby almost godly, and therefore great in character and stature. Nick as well on page.6 speaks about Gatsby’s personality remarking that, “If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to ...

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