MAESTRO

Goldsworthy makes Maestro (Eduard Keller) seem real to us in many ways.  He uses excerpts of Keller’s native German language [quote the use of German].  Keller is also found to have famous links [quote the link from Lidst] and he ties past to the Viennese war [insert quote].

Goldsworthy uses the main character “Paul” to characterise Maestro: Paul describes Herr Keller as a sort of washed out down-and-out character.  Paul also detects the smell of drinking on Keller [insert quote]. We also see Keller to be old and fragile.

Goldsworthy surrounds Keller with mystery in Keller’s tendency to keep to himself till the last half of the novel where he opens up to Paul and discusses his past.

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Keller also tends to keeps to himself till the last half of the novel where he opens up to Paul and discusses about his past.

There are big musical references used to make the characters real to us.  The text uses musical terms that I understand from my own musical background (for example, the text talks about the musical periods and musical terms [insert quote]).

Paul is very helpful with the rock band.  He teaches all the members of the band new techniques for playing their instrument to improve the sound of their playing.  Rock and Roll ...

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