“Ondaatje’s first chapter [“Asia”] is the key to what he attempts to do in the rest of his biographical travelogue.” How far do you think this is true? Support your answer with reference to the text up to the end of the “A FINE ROMANCE” section.

     The beginning and initial urge of Ondaatje’s to set out on his family discovery journey begins with a dream in which his father appears, along with a tropical landscape. Freud, the psychologist, would perhaps regard this dream analysis as the result of unresolved childhood experience. The author’s greatly westernized lifestyle is introduced almost immediately, and in contrast, he seems to be drawn to Asia, his family origins. First of all, it seems rather apparent that he had a somewhat lost childhood. It is indicated that parallel to the character learning romance as she grew older in Jane Austen’s Persuasion, is Ondaatje’s intrigue in learning about his past as though to regain his abandoned childhood.  He seems eager to return back to understand his parents’ generation, they who existed in the author’s memory as “frozen operas”.  “He wanted to touch them into words” hints that he was already planning on recording a memoir.

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     He begins planning his trip to discover his heritage even during a party. Then, I believe that the starting point in his journey of family discovery begins with his Aunt Phyllis who tells of fragments she remembers of the past. She was exceptionally close to his father. I think that discovering something new about architecture on the ceiling is like unraveling the past, there are often details that slip one’s thoughts. As quoted from the text, “there is no point in using a fork and spoon for this meal, I eat with my hands, shoveling in the rice with ...

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