A Clockwork Orange Commentary

Throughout the novel “A Clockwork Orange” by Anthony Burgess, the author enables us to uncover Alex’s personality and character. In this passage from Part 1 chapter 3, we can see what effect music has on Alex. Not only the language he uses, with its diction connoting the richness of this experience and the imagery which makes the concrete abstract, give us further insight into the aesthetic sensibilities of this lover of ultra-violence, but the structure of this passage too is like a piece of music in the way the sentences are rhythmically measured to build up to a crescendo and then dimuendo. Moreover, music both humanizes Alex and conversely makes a mockery of the idea that high culture can civilize violent youths. Lastly, the effect this passage will have on the reader, will make the scientists’ use of music in Part 2 during the Ludovico treatment and the name of the treatment itself seem particularly chilling and inhumane.

 Music is one of the most important motifs throughout the novel A Clockwork Orange. It shows the ‘human’ side of Alex and the different ways he perceives music. He loves and respects classical music and he has the potential for great humanity and sensitivity even though he engages routinely in rape and gang fighting. Alex's love of classical music is inextricable from his love of violence, and he rarely thinks of one without the other. His mind becomes alive with brutal fantasies whilst listening to seemingly innocuous classical music and his genuine aesthetic appreciation for the music is described successfully by the narrator’s clear sentence structure and vivid sound qualities. “Oh, it was gorgeousness and gorgeosity made flesh”

Join now!

 Burgess enables Alex to describe his experience of listening to music as spiritually uplifting and religious, and his passion towards it by picking up remarkable diction and imagery. “a bird of like rarest spun heavenmetal,” “any synthemesc Bog or God”.

 Alliterations and sibilance are used to make the sound qualities in the passage much smoother, “Slooshying the sluice of lovely sounds” and metaphors such as “The trombones crunched redgold.” He allows the readers to hear the sound and also combines the sound with the colour “…the trumpets three-wised silverflamed…” The author also shows the immaturity and childishness of Alex, by onomatopoetically describing the classical ...

This is a preview of the whole essay