Beowulf and the Concept of Preternatural Fate

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Harrison Baker

IB World Literature

Beowulf Final Essay

An Epic of Kismet

        A prophetic declaration of what must be; fate. Exploring the Anglo Saxon concept of preternatural fate, the poem Beowulf depicts the protagonist, Beowulf, and his epic tale of events that ultimately decide the hero’s destiny. In particular, the poem explicates whether God, man himself, or a combination of the two ultimately control the destiny of man. Influence of Christian elements merges with pagan tradition to portray fate as a manifestation of God’s will or judgment. Within this system, the poet discloses God’s rewards for those whose actions exhibit honor and good judgment. Likewise, the poet depicts that God imposes punishment and calamity upon the imprudent figures of the poem. In spite of the direct intervention of an irrefutable Christian god, Beowulf expresses that man ultimately determines his own fate by choosing whether to honor his people in accord with the Germanic warrior code; to allow hubris to overcome him and selfishly seek his own welfare.

        As a result of centuries’ of assimilation of Christian influence into Scandinavian culture, Beowulf displays a combination of pagan fatalism, man’s inevitable death, and the respect with which his peers regard him, with the Christian doctrine of individuality. For example, Beowulf orders Hrothgar not to mourn his death should he fall in battle with Grendel and concludes, “Fate goes ever as fate must” (455). Beowulf suggests the existence of fate as a singular, inevitable figure. In Anglo-Saxon culture, preceding the introduction of Christianity, the lack of individual choice renders stoicism as a primary heroic trait. However, as he recounts a tale defending his valor against the accusations of the boastful Unferth, Beowulf entails that he has some liability for surviving the tribulation at sea, “Often, for undaunted courage,/ fate spares the man it has not already marked” (572-573). Although fate remains an omnipresent and predestined idea, it spares Beowulf as a result of subordination to God, as well as acknowledging Beowulf’s resoluteness in battle; thus, Beowulf plays an indisputable role in his destiny. The Christian belief of free will does not challenge Beowulf’s certainty of his function in his own fate; rather, it supports the proposition of human responsibility. Thus, the Christian perceptive of free will does not overcome the pagan understanding of fate, but enhances the understanding of the contradictory predestination concept. Finally, as Beowulf forebodes his imminent death in the last third of the poem, the poet speaks religiously of the fate that conveys the hero’s inevitable kismet, “His fate hovered near, unknowable but certain…” (2421). In addition, the concluding part of this phrase appears to be an epithet for God; implying that man is controlled by fate, a force of the Christian God.

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        In accordance with the merit of each man, and predominantly, of each ruler, God bequeaths rewards of longevity and tribute that patent themselves in the fates of their receiver. In order to obtain such holy blessings, man must live in accord with the warrior code. For instance, after boasting to his thanes that he will battle Grendel without weapons, Beowulf portrays assurance in God’s salvation of himself, the worthier warrior, as he states, “And may the Divine Lord/in His wisdom grant the glory of victory/to whichever side he sees fit” (685-687). Girding himself before his battle with Grendel, Beowulf invokes ...

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