Family Values in Siddhartha by Hesse and A Doll's House by Ibsen

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Family values

In my essay I am going to show what extent the interaction of family relations impact the development of the protagonists of the works “Siddhartha” by Herman Hesse, translated by Hilda Rosner and “A Doll’s House” by Henrik Ibsen translated by Peter Watts. I am going to show how different relationships affect and impact the central protagonist’s decision s in both works. I will analyze how various family relations shape the central protagonists and enhance character development. I will also show that even though both plays share similar family relations but each relationship affects the protagonist in a unique way. Although both protagonists go through their odyssey’s and learn through individual relationships however they both end up on very different terms by the end of it. Finally I will prove that in the case of Siddhartha family relationships is a passing phase that shapes each stage of Siddhartha’s journey in life. However in the case of the “Doll’s House” Nora is living a cocooned like existence woven around her husband by keeping her away from harsh realities of life.

The novel “Siddhartha” starts out on a much disciplined background as Siddhartha a young, well focused Brahmin is brought up in an Ashram under his father’s rules. Siddhartha’s father is a man with high principles and a well-known Brahmin follower for as he runs his Ashram with a great deal of determination.  In the “Doll’s House” the protagonist of the play is Nora, who is a young house wife who lives with under her husband, Torvald.  In both the works you can see a master figure that stands out and they are Siddhartha’s father and Torvald. They both have an immense amount of control over their families and have very high values and ethics and expect things to run according to their way.

At the same time you can see how different Siddhartha and Nora are from each other. Siddhartha is a much developed character who is portrayed through his actions. He is well-organized and a disciplined person who is very much reverent to his family.  This is shown in the text when he seeks permission from his father.

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“You will die Siddhartha. I will die. And would you rather die than obey your father? Siddhartha has always obeyed his father.”

However Nora is still more of a child and has not completely experienced the ways of life. She does things to deny Torvald by going against his word by eating a few macaroons behind his back.  The eating of the macaroons is symbolic to little rebellious acts against her despotized husband.  This is seen in the play where the stage directions state saying

“Taking a bag of macaroons from her pocket, she eats one or two”.

Siddhartha ...

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