How is freedom attained by breaking cultural traditions and norms by certain characters in Like Water for Chocolate and Chronicle of a Death Foretold

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How is freedom attained by breaking cultural traditions and norms by certain characters in Like Water for Chocolate and Chronicle of a Death Foretold

What more could a person want then to have freedom? Revenge. Only human would want to gain back their satisfaction – freedom – however, revenge is their only answer. In like ‘Water for Chocolate,’ written by Laura Esquivel, and ‘Chronicle of a Death Foretold,’ written by Gabriel Garcia Marquez, we begin to understand why such beings would want to have this freedom. Tita the protagonist in Like Water for Chocolate is screaming for freedom, she wants her mother to leave her alone and she wants to marry Pedro. In Chronicle of a Death Foretold, Pedro and Pablo have been ‘enforced’ to carry out a duty in which to wipe out the man who has dishonored their family name, the man who has slept with their sister, Angela Vicario.

In Like Water for Chocolate, Laura Esquivel describes the pain and sorrow Tita tries to break free from. Tita is in a cage, locked up from her love, locked up from her life and locked up from her freedom. She struggles to gain her free will and encounters many fights and disputes with her mother, Mama Elena “Tita let out a long sigh.”(Page 30) Tita expresses her freedom through the art of cooking, “The batter wouldn’t thicken because Tita kept crying…” (Page 40), however, in February, she made a wedding cake for her sister Rosaura (who is marrying Pedro), so emotional that those who ate it felt nauseous “…she was swept away in a raging, rotting river for several yards; then she couldn’t hold back anymore, and she spewed out great noisy mouthfuls of vomit…” This was her revenge against her mother and her sister. Tita’s passion for cooking got back Rosaura, Mama Elena, and those who ate from the cake. In March, Tita cooked up ‘Quail in Rose Petal Sauce.’ The roses were from Pedro, and Mama Elena demanded Tita to dispose of them. “With that meal it seemed they had discovered a new system of communication, in which Tita was the transmitter, Pedro the receiver, and poor Gertrudis the medium…” Gertrudis has engaged with the passion Tita was transmitting to Pedro. Gertrudis felt free once the wooden walls of the shower fell, “…and she ran out of the little enclosure just as she was, completely naked.” (page 51) Her nudity symbolizes her freedom. Tita’s dish was a reflection of how she wanted to be, however, it reflected on Gertrudis who unlocked herself from her cage. In December Tita has reunited with Pedro “…Tita no longer gave a damn either about what people would say when their love affair was made public.” She has broken free, she is now with Pedro, her mother is dead and she got her revenge. She got her freedom.

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In Chronicle of a Death Foretold, Gabriel Garcia Marquez describes a burden Angela Vicario carries. The burden of being a non virgin. Pedro and Pablo, Angela’s brothers, are given the opportunity to restore honor to their family. Angela Vicario was set to marry Baryado San Roman. He was the perfect description of a man. “He looked like a fairy” (page 26). Angela did not really want to marry Bayardo, she felt as if he was too much of a man for her. “ The only thing I can remember is that she was holding me by the hair with one ...

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