In Pygmalion, Shaw portrays a society in translation, in which progressive notions of femininity clash with more established traditional ideas about gender role.

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In Pygmalion, Shaw portrays a society in translation, in which progressive notions of femininity clash with more established traditional ideas about gender role.

        In George Bernard Shaw’s play Pygmalion, he portrays a society in transition where new ideas about female independence are challenging with established gender stereotype. Shaw was a post imperialist and believed in a world of equality. Through the portrait of the character Eliza Doolittle in the play Pygmalion, Shaw demonstrates a call for independence and his realization that it cannot be achieved in the early 20th century England as the society displays strong traditional gender roles, woman in upper class do not value themselves and have no places in society, and lastly, they cannot be successful alone.

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        In the transforming Victorian society, female independence is not yet achieved. Higgins’s arrogant attitude towards woman reveals the traditional gender stereotype by the society. “The girl doesn’t belong to anybody-is no use to anybody but me,” he says. Higgins, in saying Eliza doesn’t “belong” to anyone, implies that a young woman should “belong” to someone. This is further emphasized as Higgins says to Eliza after she is well transformed into a elegant, eloquent and eligible young woman, “You might marry, you know”. This shows that the majority in Victorian society believe a woman’s destiny is to get married. In addition, ...

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