Like all Greek tragedies De Aanslag begins with a prologue.

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Greek tragedy can still be reflected in many stories written today. The great Greek tragedians, like Sophocles, set certain characteristics which apply throughout all tragedies trying to replicate the classic format, like De Aanslag by Harry Mulisch. Certain characteristics must be present for literature to be called a classic tragedy. Normally, the position of the main character is essential. The hero is occasionally are royal or noble individual who is respected, has good intentions and has much too lose. In De Aanslag the ‘hero’, Anton, is just a child and also only acts out of good intentions and has also much too lose. Later the Anton grows up studying medicine and becomes a anesthetist, which is regarded also as a high position. The second characteristic that is normally found is the tragic flaw the hero must have, the hamartia. The hero must make a ‘tragic error’ in spite of his will for good intentions. This error is usually the result of the hero’s tragic flaw; in ancient Greek tragedy it is normally pride. As a consequence of his tragic error the hero then is a the victim of a ‘catastrophe’. The hero suffers and falls from his original state of happiness.  We see this occur in De Aanslag as well; when Anton loses his family and his happiness after the assault on his house. Final recognition, catharsis, is also an essential part of Greek tragedy. This is where both the hero and the audience realize the tragic flaw and error, this often has too late and the hero is unable to prevent or escape his catastrophe.

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There are also three unities of a Greek tragedy. The first is time, where the play should not take place longer than a day. The second is place, where the play should remain in a single place. Finally action, there must be only on single plot to the story and no sub-plots. Although, De Aanslag tries to replicate Greek Tragedy it is only able to meet the third unity of having one single plot to the story.

Writers and playwrights often find that Greek tragedy is the best way for them to convey a message to the audience, ...

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