Marcus Brutus: Tragedy and the Tragic Hero within Shakespeares Julius Caesar.

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MARCUS BRUTUS – The Misinterpreted Messiah:
Tragedy and the Tragic Hero within Shakespeare’s
Julius Caesar.

        
          William Shakespeare’s
The Tragedy of Julius Caesar is a five-act Elizabethan drama that follows the guidelines of Aristotle’s Tragedy. Marcus Brutus qualifies as the tragic hero of the play because he is a man of high social status, well-intentioned throughout the play, who tragically partakes in the misguided assassination of Julius Caesar, leading him down a path of destruction until he ultimately undergoes peripeteia and experiences his downfall at the hand of hamartia. Brutus’ greatest flaw is that, although he is kindhearted by nature, he is a poor judge of character, and as such is unable to apprehend the reality that not all men act out of the same noble and good intentions.  Acting under false pretenses and blinded by the promise of nobility, he mistakenly joins Caius Cassius’ machinations as a Messiah of the Roman peoples, only later to discover that his actions have steered the society he meant to liberate towards civil war.

        Marcus Brutus is an honest and good man who takes pride in his reputation for honor and nobility, jumping at any opportunity to right what is wrong as long as there is reason enough to do so. In accordance with Aristotle’s definition of the “Tragic Hero”, he is of high regard within Roman society, and thus is eligible to fall from a great enough height to evoke pity and fear within an audience. As mentioned, his tragic flaw is the idealistic belief that everyone follows the same code of honor as him – this is why he allows himself to be enticed by Cassius to pursue Caesar’s elimination from the Roman political hierarchy. His devotion to honor is exhibited in 1.2:

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If it be aught toward the general good,

Set honor in one eye and death i' th' other,

And I will look on both indifferently,

For let the gods so speed me as I love

The name of honor more than I fear death. (1.2.85-89)

Also early on in the play, Brutus allows himself to be torn between two systems of belief, each contradicting the other. High-minded and committed to freedom, he believes that to live under tyrannical reign is to allow a wrong to be endorsed. But he also accepts that to murder Caesar is to commit a wrong. ...

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