Michael Ondaatje first published "The Cinnamon Peeler" in 1982 as part of his book Running in the Family. "The Cinnamon Peeler" is split into nine stanzas and each stanza is another level of sexuality and exoticness for his wife.

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“The Cinnamon Peeler”

Michael Ondaatje first published "The Cinnamon Peeler" in 1982 as part of his book Running in the Family. "The Cinnamon Peeler" is split into nine stanzas and each stanza is another level of sexuality and exoticness for his wife.  In the poem, the speaker gives a very sensual description of his wife and during the courtship of their relationship, using the exotic qualities of cinnamon. The exotic qualities of cinnamon are especially used for smell, which he uses to call attention to his love and desire for his wife. Ondaatje's uses cinnamon, which is a plant found in his native country, Sri Lanka. The poem is erotic by nature and as the poem progressive the poem reaches another level of eroticism.

The first stanza of "The Cinnamon Peeler" sets up a hypothetical situation right from the first line: “If I were a cinnamon peeler.” Immediately the readers know that the speaker is not the cinnamon peeler, but what might happen if he was. The last three lines of the stanza, the poem takes on an erotic tone as the speaker says “I would ride your bed… and leave the yellow bark dust…on your pillow.” The verb “ride” is innocent on its own but when it is followed with the word “bed,” it becomes very sexual in its nature. For sure the speaker is writing a sexual poem to his lover. The “yellow bark dust” that the speaker talks about is the dust that a cinnamon peeler has on his body after collecting the spice. The speaker creates a detailed image of the couple making love and the man leaving evidence of his presence.

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The following stanza the poem increasingly intense in the first line of the stanza when the speaker describes parts of a woman’s body that would smell of cinnamon dust. The cinnamon would leave a smell that would show that the woman is his wife even when she left the house. The speaker uses two images of water to show that no matter what she baths in she could never get rid of the scent. While the speaker starts out discussing the potent scent of cinnamon, it is clear through his erotic descriptions that are within the context of the poem, cinnamon ...

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