Daryl Breakwell                    11Kr                               Mr.Clayton

Coalbrookdale Coursework

Introduction

Coalbrookdale was a mayor iron works. It grew through the 18th century and was at its peek around 1850 the mid 19th century. It then declined in importance as it was overtaken by larger iron producing centres, but remained one of the top producers of artistic and high quality ironwork.

One of the main characters in the early years of Coalbrookdale was Abraham Darby I. He discovered coke by slowly burning coal, as wood was done to make charcoal, which was used before coke was discovered. Darby used coke instead of charcoal, as it was cheaper. This produced cheep low quality iron, which he used to make cooking pots. He made fortune of these.

Abraham Darby II, Darby I’s son, made coke ovens, which made better quality coke, this in turn made better quality iron. He also made strengthened bellows to give a stronger blow to the furnaces.

Abraham Darby III, Darby II’s son, attracted good workers by buying farms to feed them, paying good wages and building them houses, schools, pubs and even an institute. He also promoted Coalbrookdale iron; he did this by making a bridge out of iron, ‘The Iron Bridge’. This would have been impossible 50 years earlier. This provided great advertisement for his company and his iron was soon in huge demand.

Although the Darby’s discoveries were extremely important in the mass production of cast iron, they did not discover how to mass-produce wrought iron. The current process was done in forges, by heating and hammering the cast iron repeatedly to remove impurities. This was slow and expensive though.

Then along came Henry Court who had discovered a better and cheaper method to mass produce wrought iron. His new method was as follows. He had constructed a special furnace called a reverberatary furnace. In this furnace the iron was kept separate from the fuel with a blocking bar. This meant the iron never came in contact with the fuel, so ordinary cheap coal could be used to fire the furnace. The iron was melted and then puddlers would open the door of the furnace and stir the iron. By stirring the iron this brought the impurities to the surface where they were burnt off. This was repeated until all the impurities were removed, so you were left with virtually pure iron. It was then cooled and shaped into a spongy ball. Then pushed through a set of rollers, like a mangle. What ever shape was between the rollers was the shape the iron came out in. So you could instantly shape the iron, e.g. to a section of railway track, a tube or a sheet of iron. This process was called rolling, so put them together and it was called puddling and rolling or balling and drawing.

As a result of these discoveries and the industrial revolution, the production of iron in Coalbrookdale grew. In 1720, they produced 21,000 tones of pig iron, and the total amount made by Britain was 25,000 tones. Coalbrookdale’s production continues to grow until it reached its peak in 1864. From then on its output declined, as there were many other works in Britain. By 1894 Coalbrookdale could not compete, so started producing only high quality iron, which it still does today.

The works themselves also grew. We can see this as most of the earlier buildings around Darby I were made of stone, we can see this particularly around the Old Furnace area. Then in Darby II and Darby III time, brick was introduced and buildings were made out of them. So we know the works expanded, as there are some original stone buildings with brick extensions built onto them.

Question 1: which is the more useful to a historian studying Coalbrookdale c.1800- the physical evidence you can still see at the site or the documentary and pictorial sources?

     (12 marks)

Reliability of the Documentary Evidence

Every piece of documentary evidence that I will use to answer question 1 is reliable, as other evidence supports it.

The 1827 map is backed up the physical evidence as the remaining buildings, such as Carpenters Row and the New Furnace are in the right place as they are indicated on the map; therefore, all the other buildings must be in the correct place. It is also supported by the 1801 description, which mentions the positions of the buildings, like ‘in front of these…’ and ‘to the left appears…’ Finally, the Farington’s sketch shows features in the same place as the map shows them, for example the Wesleyan Chapel and Charity Row.

The 1801 description is supported by the surviving evidence as they are where they are said to be, and also the 1827 map which shows the buildings where they are said to be as well such as ‘residence of some of the workmen, in the vicinity is a boring mill’ and this is also show on the 1827 map.

The Fishers Journal is backed up by 1827 map, as everything it describes is where it is said to be on the map as well, for example the journal says: ‘The Old Furnace (nearest the house)…’ this is shown on the map also. And the physical evidence as the places described that still exists are where they are said to be in the description.

The Farrington’s sketch 1789 is supported by the surviving buildings as they show buildings where they still stand, along with the 1827 map. Also, the sketch is so detailed and accurate that Farington could only have drawn if he was actually there.

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The Williams’ painting 1777 looking north and south could only have been painted if Williams was actually there as they are very detailed. They are also supported by the 1827 map and 1801 description as they describe and show buildings indicated in the same place as Williams has drawn them, an example of this is it shows the upper furnace pool in the same place that it is on the 1827 map.

Vivares engraving 1758 is supported by the 1801 description as it describes buildings in the place as he has drawn them. Also there is the 1827 map which ...

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