The effects of music on word recall

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Experimental Methods and Statistical Analysis

An investigation into the effects of music on word recall

Sarah Messenger

0801595

Title

An investigation into the effects of music on word recall.

Abstract

In light of research carried out by Salame and Baddeley (1989, cited in Jones, Madden & Miles, 1991) and Berz (1995, cited in Palmer & Schnedell, 2007), a study was carried out using an unrelated design to investigate whether music, both vocal and instrumental, affects memory recall. The study used an opportunity sample of 45 participants, who were asked to memorise and recall words while either listening to no music (NM), instrumental music (IM) or vocal music (VM). The hypothesis of the study predicted that there would be a significant difference between the conditions. A one way ANOVA was carried out to analyse the results. The findings showed that there was a significant difference between the conditions where there was no music and where there was vocal music. No significant difference was found between the conditions with no music and instrumental or between instrumental and vocal. The findings suggest that listening to vocal music has a detrimental effect on word recall.

Introduction

The first introduction to the working memory derived from Baddeley and Hitch (1974, cited in Baddeley, 1996). Developed by Salame and Baddeley (1982 cited in Gross, 1999: 293), the working memory includes the central executive; which directs and controls the activities of three other components; the phonological loop, the visuo-spatial sketch pad and primary acoustic store.

The phonological loop is vital for controlling the temporary storage of verbal and acoustic information (cited in Healy, Proctor, Schinka & Weine, 2003: 435). The phonological loop consists of two components (cited in Baddeley, Garthercole & Papagno, 1998). One component, the phonological store (inner ear), allows acoustically coded information to be stored for a brief time period. The second component, the articulatory control system (inner voice) allows for subvocal rehearsal of the information stored in the phonological store. The basic assumption of the phonological loop is that auditory verbal information automatically enters into the phonological store. Visually presented information is able to be transformed into phonological code via silent articulation and thereby is encoded into the phonological store.  

Salame and Baddeley (1989) investigated the phonological loop, looking at the effects of vocal and instrumental music on digit recall. They found that VM had detrimental effects on memory recall, while instrumental music had a slight effect. They suggested that the attempt to simultaneously process and memorise visual information whilst listening to vocal music meant that the two tasks interfere with each other, fighting for space within the phonological loop. They suggest that IM still has some detrimental effect, due to melody and rhythm passing through the central executive, causing the working memory to try and do two things at once.

Pring and Walker (1994) carried out a study looking at the effect of music on a verbal processing task. Their findings indicated that listening to VM had a detrimental effect on the task, supporting Salame and Baddeleys suggestions.

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A study carried out by Berz (1995) looking at the functional ability of the central executive, suggests the existence of a music memory loop. Berz suggests that when listening to VM, phonetic information is processed through the phonological loop, suggesting that there would still be interference in memory recall tasks. Musical information however, is processed through the music memory loop, independent of working memory. This would imply that there would be no difference in recall when listening to non-vocal music than when carrying out the task in silence.

The findings of a study carried out by Crispin et al ...

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