CONTENTS

ADAPTIVE CHALLENGE        

4 CAPABILITIES        

CONTEXT & URGENCY        

CHANGE MANAGEMENT        

CHANGE SIGNATURES        

LEADERSHIP CAPABILITY?        

ARGYRIS & SCHON        

INFERENCES        

LESSONS        

BIBLIOGRAPHY / REFERENCES        

EFFECTIVE LEADERSHIP
DEAD POETS SOCIETY - A CRITICAL ANALYSIS

ADAPTIVE CHALLENGE

What was the adaptive challenge? How was it identified? Or was it identified at all?

“Adaptive challenges involve changing hearts and minds and often are championed by someone who cares, but who may not have the authority to impose change.

These challenges cannot be "managed," but must be confronted and dealt with honestly.”

Within the context of this movie analysis, John Keating’s leadership capability will be discussed and critically analysed. The adaptive challenge faced by John Keating would be that of changing the hearts and mindsets of the students he taught at Welton Academy.  

Welton Academy was a preparatory school based on four pillars of principle: Tradition, Honour, Discipline and Excellence. As a former student himself, Keating had experienced the Welton system of discipline and conformism, as well as the pressures of parental expectations.

When he returned to Welton, this time as an English teacher, he observed that the school curriculum and teaching system had not changed, and retained the same confined mindsets that he had faced as a student. He felt the need and urgency to make his students think for themselves. Therefore it can be said that it is through Keating’s personal experience, his observations and his knowledge of the school’s environment that the adaptive challenge was identified

4 CAPABILITIES

Apply the 4 capabilities: sensemaking, relating, inventing and visioning. Did you see this happening? When, where, by whom? Or why not?

SENSEMAKING
(making sense of the world around us, coming to understand the context in which we are operating)

John Keating’s sensemaking would have occured during his time as an ex-student in Welton Academy and when he returned as a teacher, still subject to the same oppressive environment.

INVENTING:
(designing new ways of working together to realize the vision)

Keating’s unconventional methods of teaching are a clear demonstration of his capability of inventing. While his radical teaching methods had raised eyebrows among his colleagues, he continued to use these methods to make his students open up and view things differently.

RELATING
(developing key relationships within and across organisations)

It comprises of three components: -

Inquiry (to understand where someone is coming from), advocacy (intention to build understanding of other by balancing it with self-understanding and advocacy of one’s viewpoint) and connectivity (trying to build networks/coalitions/alliances with people to create change)

When Neil Perry, a student of Keating came to him for advice over playing his part in the drama, Keating listened patiently and attentively, tried to understand Neil’s unique circumstances, and gave him relevant and prudent advice to follow what his heart felt.

VISIONING

(creating a compelling picture of the future)

It was Keating’s vision to enable his students to thinking freely, to challenge and inspire them to think for themselves on what they wanted to achieve in life. With his courageous ideas and manic charisma, Keating inspired extraordinary, almost cultish devotion among his students.

This is demonstrated in the scene where he gathered his students around him and told them what he wanted them to be.

Was it distributed? How do organisational substitutes allow for this?

Distributive leadership spreads decision-making authority throughout the school, creating a “flatter” governance structure. Unlike traditional, headmaster-dominated school leadership models, distributive leadership provides opportunities for everyone, including teachers, students and parents to participate in key decisions.

Keating’s capabilities of visioning. sensemaking, relating and inventing over his students indicates clearly that he has applied distributive leadership over his vision of instilling free thinking into their minds. He treated them as his equals and there is no airs of superiority over them.

The organisation substitutes comprised of the extra-cirricular activities component of the school system that allowed students to do any activity they preferred during their free-time. The students were free to choose from American football, rowing, etc.

CONTEXT & URGENCY

What was the context, the culture like? Assess the urgency?

The story was set in 1959, at Welton Academy, a well-respected preparatory school in the United States. This was an institution that took great pride in its rich scholastic heritage, its high success rate for sending its graduates to Ivy League universities, and its four pedagogical pillars of Tradition, Honour, Discipline, and Excellence.

At Welton, students experienced not just a rigorous academic learning program based on explicitly traditionalist ideals, but also an oppressive administration that practiced a zero-tolerance approach to non-conformism. A network of hard-driving parents, who expected their sons to take well-trodden professional career paths, further reinforced this ‘scholastic pressure cooker’.

The archaic all-male institution seemed to exist in stark contrast to the rest of America just beyond its sprawling compound, an America that was fast awakening to the wild and turbulent socio-economic climate of the 1960s - a period which also saw the dawn of the nuclear age; man walking on the moon; the rapid advancement of computer technology; and many other scientific breakthroughs being made.

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In view of the cultural context and environment then, the importance of the literary arts and culture was being dramatically downplayed in the face of the more utilitarian disciplines of science and mathematics. John Keating saw the urgency to open the minds of his students, to introduce them to basic human concepts of beauty, romance and love, to ‘seize the day’, and to make their lives extraordinary.

CHANGE MANAGEMENT

How was the change managed: Ancona calls it catalysing action; Heifetz calls it mobilising adaptive work (formal authority) or modulating the provocation (informal authority)

Changes were brought about by John ...

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