According to the radical nineteenth-century Russian critic Dmitry Pisarev, in creating the character of Eugene Onegin, Pushkin used the whole arsenal of his talent to turn a petty, cowardly, spineless, idle dandy into a tragic figure, exhausted fro

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According to the radical nineteenth-century Russian critic Dmitry Pisarev, in creating the character of Eugene Onegin, Pushkin ‘used the whole arsenal of his talent to turn a petty, cowardly, spineless, idle dandy into a tragic figure, exhausted from battling the inordinate demands of people and the age’. Do you agree with this characterisation of Eugene Onegin? Why or why not?

After much consideration I have decided that I do not agree with Pisarevs' characterisation of Onegin. Pisarev describes Onegin as a pitiful and cowardly figure where as I believe that Pushkin used his description of Onegin as merely a representation of an average, idealized young man of that era, describing how most young men at that time were bored and had no purpose. Onegin did not really know what to do with his life and time apart from lead the life of a typical, wealthy young man, attending balls, operas and walks on the Nevsky Prospect.

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In his youth, Onegin is admired for his social graces, despite having no real depth to his education.

“All of us had a bit of schooling in something and somehow.”

Though Onegins education was not of the highest standard, he still comes across to the reader as having a high sense of culture and in his own respect differs from most of the noble society. Onegin had perfected a high proficiency of the French language. His skill of being able to speak of everything “...with an expert's learned air...” portrayed an image of a clever and well taught young ...

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