Platonic love. The Symposium and the Phaedrus. Each of these works is a different expression of Plato's view on love.

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Samuel Francisco        

Dr. Gold

November 30, 2012

                                        What's Love Got to do With It?

What is there to say about love? Love is around us. Some would say that love is the answer or all you need is love, and then there is the camp who claim that love is a battlefield, rough crowd that one. Before the view of love could be made into a top-ten hit, there was a foundation. This foundation was laid out by Plato through the conversation of Socrates in The Symposium and the Phaedrus. Each of these works is a different expression of Plato's view on love. The purpose of this paper will be to thoroughly examine the Platonic position on love in order to identify how it can be applied in today's society. A comprehensive account of Plato’s complex theory of love, a dissection of the controversies involved in interpreting it, and a thorough discussion of the problems it creates, will be the basis for this investigation.

Before I begin to analyze the concept of love in The Symposium and The Phaedrus, it is of great worth to mention the linguistical components of the original text. Some meaning becomes lost when texts are translated into different languages. For ancient Greeks, words encompassed principles and concepts rather than the superficial, strict definitions employed by most modern cultures. This is presented by the fact that there were four words for the concept of love used in spoken language:  

ἔρως, ἀγάπη, φιλία, στοργή

In English these can be translated to eros, agape, philia and storge. Each of these words presents a different concept. ρως (eros) is the most commonly used version of the word. It is associated with romantic love and desire. This passionate love was often referred to as madness and was responsible for disastrous results such as war or murder. This is the Platonic concept that will be discussed later. ἀγάπη (agape) is a love that refers to a deep rooted love like the love of a mother for a child or a long-lasting marriage. Φιλία (philia) is the most general kind as it often refers to friendship. It is also the prefix for the word philosophy, which with its suffix sophia (wisdom), translates to love of wisdom. The last form, στοργή (storge), is less commonly used as it comes from a familiarity and is used in reference to family bonds. With this in mind, it will be easier to identify the concept of love associated with Socrates.¹

In Plato’s Symposium, the reader is confronted with some very different views of love as brought to us by Agathon, Phaedrus, Socrates, and Aristophanes. Each man at the dinner party has a different point of view on the issue of love. Some of the men are old lovers, and some are just friends, and each puts in his thoughts of love as the evening wears on. The view presented by Aristophanes in lines 189c- 193d can be  considered to be the most popular views on love presently in society. He produces a love that is comprised of the searching for one's alter ego or the soul-mate. The explanation being that each of us is divided in half and will never be complete until we uncover our other half. It is only after the presentation of Aristophanes view that Socrates is able to interject giving a glimpse of what Plato's take on love is. Socrates takes the initial view raised by Aristophanes and puts a major twist in it. He claims that love is the searching for your other half, only if the other half is good. Plato seems to believe that since we desire what is good, it would seem that we are in a perpetual state of love.

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The real crux of the argument follows presenting Plato's view through the words of a priestess named Diotima. She is said to have shared the secrets of love with Socrates. It is of interest that Plato uses a woman to relate his view on love. Most notably, it seems that Plato is subtly stating that women may be the utmost authority on the subject.  The first of the Diotima speech is the elaboration of the origin of Eros. It emerges that Eros is a mixture of things:

“He is neither mortal nor immortal, for in the space of a day ...

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