Forensic psychology essay

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The search for the truth behind murder begins with the killer’s intent. The study of motivation is important, as understanding thought patterns in murderers may help make sense of a seemingly motiveless murder. Outline the evidence relating to motivational factors involved in murder. Discuss the above with particular reference to a specific type of murder, i.e. – serial, sexual, cult, domestic, etc.

FBI Special Agent Robert Ressler was the first person to use the term “serial murderer”, when he was involved in the “Son of Sam” killings in New York in the 1970s1. In recent years, serial murderers have been held accountable for “2000 to 3500 murders a year, more than 10% of all murders in the U.S. 1”  In this essay, I will discuss various theories that have been proposed over the years to explain the motivational factors involved in serial homicide.

Even though a universal definition of serial homicide has yet to be formulated, the majority of researchers, investigators and clinicians view serial murder as sexually motivated, “basically a sub-type of sexual homicide” (Schlesinger, 2000). One of the difficulties associated with research in this area is the fact that, in USA, national crime statistics on the number of sexual/serial homicides aren’t maintained; indeed even homicides with “distinctly overt signs of sexual motivation” aren’t grouped separately but are “included under the general category of homicide2” When one considers the fact that, in many cases, the sexual motives behind homicide aren’t overt and obvious, it isn’t surprising that they mightn’t be recognised by the authorities; in fact they can be “frequently rationalized and denied by the offender as well3

Sexual motives may be expressed in other, less obvious ways; Revitch (1965) observes that, in many cases, particularly brutal and murderous assaults may serve as substitutes for the sexual act itself. It is almost as if the act of aggression “satisfies” the sexual component of the murder. And Banay (1969) confirmed the idea that “hidden sexual forces frequently lie at the root of many apparently nonsexual crimes4”. This often means, that in the absence of overt expressions of sexuality (such as intercourse with the victim), sexually motivated assaults or murders may be seen as common crimes.

Louis B. Schlesinger (2000) considers that sexual homicide becomes serial when “multiple victims (i.e. three or more) are involved, usually in multiple locations, with a cooling-off period between murders2”. He argues that are three central components to serial homicide:

  1. Sexual sadism
  2. Intense fantasy
  3. A compulsion to act out the fantasy.

Sadism, defined as sexual arousal derived from the “physical suffering, humiliation, and control of the victim2”, is widely regarded as being one of the influential motivating factors for serial homicide. Keppel (1997) describes the case of Richard Cottingham, who subjected his victims to prolonged agony, to allow them to “suffer through his torture [until] “the master,” as he referred to himself…would be sexually satisfied5”. This desire for control, in fact, is a common motivation for many serial killers - McCulloch et al. (1983) identified this desire as the primary motivating force in sadism. Schlesinger recounts the story of a 25-year-old serial murderer and rapist who stated that “I want to be in control: having me in control is the thing; control is the main motivation; killing is the ultimate control2.”

Prentky et al (1989) found that fantasies are often instrumental in driving the behaviour of serial killers. Beres (1960) defines fantasy as “a group of symbols synthesised into a unified story”, which is used by serial killers as “a substitute for action, or it may prepare the way for later action6.” In other words, as reported by McCulloch et al. (1983), the intense fantasies that the serial killer indulges in may lead to a “behavioural try-out.” This view is reinforced by Hazelwood and Douglas (1980), who suggest that many murders that may look as if they have occurred impulsively, have actually been “premeditated” in the fantasies of the murderer. Malmquist (1996) observes that in these fantasies, as in the subsequent murders, “the victim becomes depersonalised, reduced to contemptible objects that exist solely for the gratification of the perpetrator1”. There is little doubt that fantasies act as a forerunner to later murders, but this begs the question: why do serial murderers act out their sadistic fantasies, whereas the common person, who may have much the same kind of fantasies, does not feel the need to?

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This question has been described as “fundamental but difficult to answer2”. However, according to Revitch and Schlesinger (1981), the answer is that some individuals act out their fantasies due to a compulsion to do so. The word compulsion is derived from the Latin compellere, meaning “to compel, force, urge and drive on”, and Schlesinger argues that, for serial murderers, this compulsion act as a “means of liberation from unbearable inner tension2.” Krafft-Ebing, one of the first authors to write a comprehensive account of serial homicide in 1886, described the overwhelming compulsion felt by the serial murderer Vincenz Verzeni, who ...

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