Comment on the two following scenes: Much Ado About Nothing Act II Scene iii and Love's Labour's Lost Act IV Scene iii.

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Comment on the two following scenes: Much Ado About Nothing Act II Scene iii and Love's Labour's Lost Act IV Scene iii.

The title Much Ado About Nothing perhaps superficially intimates a great amount of irrelevant, unnecessary fuss, however deeper consideration indicates it has a profound resonance. The major 'Ado' or complication within the plot springs from Claudio's denunciation of Hero and moreover, the minor 'Ado' derives from the deception which unites Beatrice and Benedick. Act II Scene iii is significant in this minor narrative because it acts as a catalyst for the expression of perhaps an already latent attraction between the latter two characters. Furthermore, the Elizabethan pronunciation of 'Nothing' as 'Noting' denotes that the themes of eavesdropping and overhearing are central to the play's importance. Similarly, they can be applied to Act IV Scene iii of the play Love's Labour's Lost although their importance is by contrast, not pivotal to the play's narrative. Thus in this essay the significance of deception, eavesdropping and the discovery of the truth shall be investigated within both scenes in order to analyze their functions within the plots and their overall importance to the corresponding plays.

The character of Benedick, within