Throughout the novel this specificity is contrasted with the ambiguous, particularly well illustrated by the nature of the Fens, as the paradoxical 'liquid terrain'. In the 'Oxford English Dictionary,' the Fens are described as the transition zone between land and water, being neither one nor the other. Swift comments on this throughout the novel most explicitly through the title, which illustrates the 'not quite solid' nature of the setting. The Fens were formed by silt, 'silt: which shapes and undermines continents; which demolishes as it builds; which is simultaneous accretion and erosion; neither progress or decay.'
of a Satyrist for a libeller; wheras to a true satyrist nothing is so odious as a libeller, for the same reason as to a man truly Virtuous nothing is so hateful as a hypocrite. In 1725 Pope wrote to his eminent friend Swift, of his desire for his proceeding poetry to be a, �useful investigation of my own territories....something domestic, fit for my own country, and for my own time;� This definition could apply to many types of works and it is possible that he was referring to the epic he had always wanted to write, just as Virgil
Good conclusions usually refer back to the question or title and address it directly - for example by using key words from the title.
How well do you think these conclusions address the title or question? Answering these questions should help you find out.
Do they use key words from the title or question?
Do they answer the question directly?
Can you work out the question or title just by reading the conclusion?
"This carried on until Vince locked him out of the house. Link went over to stay at his sister's for the night, and when returning home next morning Vince slapped him a few times on the head for worrying his mother. In my opinion this wasn't a good 'enough' reason for link to make himself homeless. Swindells could have it made it much harsher for Link which would have been made it more effect and real.
Swindells also tries to write as a modern 16 year old when portraying Link. He makes lots of"
"In conclusion, The Rape of the Lock and A Modest Proposal are prime examples of the two main types of satire. Pope's piece exhibits the good-humoured Horatian style, through which he can make his point without alienating or offending anyone. Swift's piece, on the other hand, highlights the shocking and harsh value of a savage attack. Both pieces are effective in their own ways, largely due to the fact that they had distinctly different goals. For example, the Juvenalian style would not have effectively settled the dispute Pope was attempting to resolve in his poem, as it would have only served to cause offence and probably made the situation worse. Similarly, the Horatian style would no have been suitable in an assault on the government's ethics, as something on such a large scale would have to stand out, which a mere teasing would not achieve. The style of satire is significantly dependant on the target audience and what the writer/poet is setting out to achieve, as the very nature of satire is extremely liable to cause damage through its ridiculing and mocking features.
Mark Cavanagh WKoTiT? Essay - Spring Term 2004
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"Certainly, though Knowles spends only a relatively small part of his treatise directly analyzing this section of the novel, he does an excellent job. He explores the various degrees and devices of satire employed by Swift. In some of his concluding pages Knowles focuses on some of the ironies of Houyhnhnm superiority. The Houyhnhnms have great difficulty in deciding whether or not to banish Gulliver. What is his status in their rigid social structure? They are not capable of seeing beyond their own two-dimensional country. Perhaps the most telling incident, a "symbol of Houyhnhnm limitation," is when Gulliver spots a tiny island in the distance through his small telescope, but the sorrel Houyhnhnm who has befriended him sees only a "cloud". He "had no Conception of a Country beside his own" (Knowles 140). Knowles' conclusion, of course, is that Houyhnhnm "myopia" was, in some ways, even worse than mankind's."
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