In the novel Trickster Travels by Natalie Zemon Davis, protagonist Al-Hasan Ibn Al-Wazzan undergoes a series of conflicts within the Christian-European culture that clash with his African-Islamic upbringing.

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In the novel Trickster Travels by Natalie Zemon Davis, protagonist Al-Hasan Ibn Al-Wazzan undergoes a series of conflicts within the Christian-European culture that clash with his African-Islamic upbringing.  He exposes the innately selfish nature of humans and their willingness to put aside fundamental beliefs in order to adapt to his or her environment and gain the acceptance of outsiders. Although, it is not easy for Al-Wazzan to adapt to new ideals, he keeps an open mind to Christian-European culture due to scholarly pursuits. Despite the differences, Al-Wazzan utilizes “trickery” to thrive at the point of convergence between two unlike words.

Throughout his travels, Al-Wazzan consistently struggles with his inability to fully remove himself from the ideals that stem from his strict Muslim upbringing.  Perhaps, such is most evidenced by his negative attitude towards the printing press (Davis 123).  Al-Wazzan wrote his most famous works while imprisoned in Europe, including Cosmography and Geography of Africa, and Lives of Illustrious Men Among the Arabs and the Hebrews. Nowhere in his written works does he suggest a substitution to the traditional scribal copying and calligraphy that is highly regarded in Islamic faith.

 His inability to accept the common European practice of the printing originates from the Arabic rejection of the printing press. Islamic tradition dictates all written work must be reproduced by hand in order to preserve the “authenticity and accuracy of a text.” The printing press cannot be a reproducer of the holy text. It was only after his death that his works were published using the printing press.  In a world consumed by religion, the greedy nature of mankind was present as always.

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The story of the amphibious bird that exists on land and water oft mentioned by Al-Hasan Ibn Al-Wazzan is analogous to Al-Wazzan himself.  The bird can exist in either land or water, whichever habitat is best at the present time. Like the bird, Al-Wazzan traveled throughout Europe aligning himself with the group that best served him at that time, yet never fully identifying with a specific group. In doing so, he finds himself existing paradoxically between two converging worlds, a world of familiarity and a world of the new and different. For instance, despite being born in Granada, Al-Wazzan does not ...

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