Look at the section from Charley's entrance to exit. How dramtically effective do you find this section? What ideas within the play do you find within this section?

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Look at the section from Charley’s entrance to exit. How dramtically effective do you find this section? What ideas within the play do you find within this section?

The scene featuring Willy, Charley and Willy’s fictional vision of his brother Ben. This scene provides and excellent insight into the main body of the plays ideas and provides a debatable level of dramatic effectiveness which I intend to examine. It particularly provides an insight into the ideas of the romanticised, American, capitalist society within the play, Willies belief in ‘being liked’ and his need to take self-esteem from others being the key part of his value system and his self-denial, pride and lying.

I feel the scene conveys Willies self-denial and his fatally woven web of lies well as it highlights how this contributed to his insanity. His pride keeps him from accepting help from Charley when he even confesses ‘I got nothin’ to give him, Charley, I’m clean.’ This is after Charley offers him a job and Willie tells him ‘I got a good job.’ He denies help for his family who he clearly loves so much because of his pride. He later contradicts himself when talking to his projection of Ben, his brother. As his brother is portrayed in Willies imagination as somebody of great similarity but also success, varying from Willie. Willie tells him a different story, desperately seeking self-esteem from Ben’s approval. This self-denial has left Willie confused as a person and lead to his insanity. He tells Ben ‘business is bad. It’s murderous, but not for me.’ He lies; telling Ben this as he feels it will make him believe it if Ben, a man very much the archetype Willie always dreamed of aspiring to, does too. This is very dramatically effective to both an audience and a reader as it shows Willies fallibilities in close up over a short space of time and almost amplifies to them to the extent where they are un-avoidable. The character of Ben, however may not be quite as effective when reading the play as Miller does not quite make it clear that Ben is actually a dream created by Willie immediately like the other younger characters, leading to confusion initially when Charley does understand who Willie is talking to. This may have been done on purpose to give the reader a feeling of confusion that mirrors that of Willies, causing them to be more immersed in the play. On stage the characters would be much more easily distinguished by use of lighting, positioning and costume in order to determine their origins.

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Another incidence where Willies self-denial rotting the core of this dysfunctional family is were his flashback is extended to include young Biff and Happy and younger Linda. Young Bernard rushes in to interrupt Willies love-in with Ben and Linda to tell him ‘The watchman’s chasing Biff’ and he has been stealing again. Willies initial anger and self-denial of ‘Shut up! He’s not stealing anything!’ Willy denies to himself the fact that Biff has been stealing, as he loves Biff too much. He gets over this after convincing himself it’s Biff being done wrong and tells Ben he has ‘nerves ...

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