The fourth and final stanza tells the reader the narrator’s new feelings on the winter months. This is best summed up in the last two lines of the poem. They state, “Some blessed Hope, whereof he knew and I was unaware.” This states that the narrator feels that winter will soon be ending and the tiny little thrush showed the narrator this. The narrator now knows that there is a hope of the summer months coming.
The theme of the poem is to find good meaning in everything and that good is always present in everything. God does things for a reason and the good may not always be immediately visible, but it is there and it is our job to search it out. In the case of the poem, the narrator now knows that the warmer seasons will return to again bring joy and life to everyone.
The Darkling Thrush by Thomas Hardy is a poem written in December of the year 1900. This coincides with the themes of the poem itself, being a sadness and depression because it is the end of not only year, but also a century. However the poem is not all-negative, there is a sense of hope felt because of these new beginnings, a hope due to the curiosity of what the new era will bring.
Stanzas one and two provide a setting of the poem in which the reader is placed in the position of the poet, and is made to feel what the person speaking feels on this eve of the New Year. The poet is standing at a gate looking over a desolate scene. In this situation the gate may symbolize a barrier, the barrier possibly being a sense of despair of what the future may hold. The frost covering the scene is described as being ghost-like. This is depicted through the words ‘spectre-grey’. The weight of the words ‘winter dregs’ furthers the effect of these words which in turn leads into the effect of reiterating the desolation that is being described by this individual character. The word ‘dregs’ forces the reader to pause in the line of verse, adding to this effect. The sun is depicted as the ‘weakening eye of day’, which is a personification. This not only symbolizes the closing of a day in the form of a usual sunset, but also of a year and century.
The first stanza ends with the individual speaker being conscious of other human beings, to which the scenery that is being witnessed is also familiar. However their effect on this scenery is diminished by the word ‘haunted’. I believe the word haunted to be used as a technique the poet uses to associate the humans as being ghost-like beings who depart to the safety of their homes.
‘And all mankind that haunted nigh
Had sought their household fires.’
The scene of the first stanza depicts only the barest traces of life, what began as the description of a winter scene by a lone individual becomes like a night time period of staying awake to look after a sick person, however in this case a ‘sick’ land.
The second stanza focuses on the end of a century, Of an era. I believe that the land is in a sense personified. The speaker within his mind in the first sentence of the stanza encircles the large amount of scenery that is before him into a terrible image of the century’s corpse in its coffin. It is the vision of the end of a life, a permanent discontinuation.
‘The century’s corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament’.
The last line of this stanza through the use of the word ‘fervourless’ depicts once again the poet’s own mood which is in harmony with the desolation of the setting.
In the third stanza there is a distinctive change in the mood of the poem because of a new hopeful presence in the poem. Although the thrush is physically in a reality very small, it manages to bring about a large sense of hope. But all hope does not release the uncertainty that the individual feels.
Through out the poem I believe there to be a recurring religious theme. In the first stanza there is the idea of ‘stems scored the sky’, possibly sky representing the hope that we as human beings have to reach ‘heaven’. Furthermore in the second stanza there is use of the word ‘crypt’ which is a vault, according to Collin’s dictionary as especially one found under a church. At the beginning of the third stanza ‘a voice’ is described. In the past as well as the present, figures of ‘God’ in Judeo-Christian teachings have sometimes been described as a ‘voice’. Also in association with this religious theme is the use of the phrase ‘joy illimited’, joy being a common religious theme in Christian teaching, because Christ represents joy. It may be evident that the thrush that chooses to
‘Fling his soul upon the growing gloom…’
can be associated with a God-like figure in a religious sense that brings hope. However if the religious theme is not to be taken the
‘Aged thrush, frail, gaunt, and small…’
may represent one voice of a natural world, the bird being a natural feature.. The bird is a symbol of all things on earth that is pure, a joy that is a result of this pureness.
Hardy manages to put together an amazing piece of poetry, not only due to language and tone of the poem, but also the fact that he manages to become a poet, within a poet describing the scene before him. Although he is the writer of the piece, he places an unknown individual in the scene, describing the feelings the dawn of a new century brings. The poem concludes cleverly with a mingling of melancholy as well as hope, a contradiction within itself.
Second Explanation
Darkling begins as a welling-up of memories and justifications, of the relationship between a daughter (the speaker of the poems) and her mother. The mother has been dead for some time. Like a river, the memories broaden out, to include a brother, and her parents' origins and immigration to the U.S.A.
Then comes a tour de force preceded by the word premises, which widens the theme, as if the river (my analogy, not the poet's) is trying out different ways it can go into the past, where the immigrants came from. Other sections narrow back to the mother and daughter theme, and then widen back to the relatives (and others) that the immigrants left behind, and who will be shards and sherds in the oncoming Holocaust in Europe. These, along with the relationship between the mother and father, and the increasing encroachment of the Holocaust in the rest of the poem, are the themes that play like the flames of a fire with each other. Incandescent Imagination sets fire to the paucity of individual facts which survived the Holocaust.
The tone is unremittingly elegiac, like Górecki's Holocaust music. It is not an easy read, but only as hard as it has to be, and those who read it will come away in some way better persons for a time at least, and with the knowledge that they have done something important. As for the poet, she has created a technique which enables her to put the full range of her life interests into her poem—not a common fate even among good writers.
Of the many devices that enhance this poem, mention must be made that, without distortion or intrusion, it includes a device used by some poets in Scotland, England, and America in the seventeenth century (and in some other literatures at other times). This device uses the first letter of each line in a poem to form a vertical phrase or sentence. In this poem, a reader can make up all of Thomas Hardy's poem The Darkling Thrush, which is about a bedraggled thrush singing its heart out in the growing dusk of a desolate winter's day.