Ian Fleming's James Bond has been entertaining, shocking and marvelling us through the moving image for almost forty years, and the perception of his character has changed dramatically over that time.

Authors Avatar

Ian Fleming’s James Bond has been entertaining, shocking and marvelling us through the moving image for almost forty years, and the perception of his character has changed dramatically over that time. In the early years his character was a typical stereotyped Englishman with all the qualities of a civilised gentleman. However, more recently Bond has been increasingly relaxed and sarcastic. James Bond started out as Sean Connery in the Terence Young directed 1962 film ‘Dr.No’. By 1973, Connery had been replaced by a fresh Roger Moore in ‘Live and Let Die’, directed by Guy Hamilton. Still pulling in the audiences another thirty years later, Pierce Brosnan plays James Bond in the Martin Campbell directed smash hit ‘Goldeneye’ in 1995.

        As the films have progressed the camera angles have advanced greatly and have set the standards for films to come. In ‘Dr.No’, the camera angles appear simplistic and have not much variation. With most of the film being captured at medium range, the film looks very repetitive. For a long period of time during the opening card scene and Bond’s meeting with M, the film is all played out in medium shot, without close ups or long shots. Variation in camera technique is limited. However in the opening scenes of the film, while he is playing cards with Sylvia Trench, many close ups on Bond’s face are used. An extreme close up on his eyes also adds tension as the audience eagerly awaits seeing Bond’s face. Only a few minutes later do the audience see his face in full. The film lacks use of panning or change in vertical tilting. More complex camera techniques such as slow motion and personal views are also not included. The opening credits are the first motion in the film and also basic. Very bright colours are used to fit in with the 'hippie' goings on; tough graphics are also restricted due to undeveloped technology.

 

As cinema became more advanced, so did the camera angles, which is clearly demonstrated in ‘Live and Let Die’. This more recent film is played out in medium range, yet more close ups, long shots and panning are available. Panning is shown as the camera follows the national representatives at the meeting being held, only a few moments into the film. This was new in Bond movies and has proved to be a good asset. During M’s conversation with James Bond, the camera is attracted to the person who is talking, showing the head only. In contrast ‘Dr.No’, displays both characters at once in an objective viewpoint. A lot of establishing shots are also incorporated into 'Live and Let Die', here; the camera starts out at medium range, and extends out to a long range shot. This is used to show the viewer where the scene is and provide context. The opening credits in ‘Live and Let Die’ are far more advanced than the previous Bond films and come after a clip of the film. A flame is used in the background. Representing destruction and violence, a voodoo theme of the film. The opening of hands is used to symbolise the start of a new Bond – Roger Moore.

        ‘Goldeneye’ really does 'shame' the camerawork of the other two Bond films of discussion as the variation is so superior. A perfect blend of close ups, long shots, medium shots, panning, tracking and extreme close ups, ‘Goldeneye’ displays the technology of a more modern age. Tracking is used to follow Bond over the top of the dam, as in ‘Dr.No’, the vision of Bond’s face is delayed to increase tension; the fast camera action creates pace.  Panning is used also to follow Bond across the faculty floor as he wheels the trolley towards the conveyer belt. Amazingly advanced camera angles are additionally used in the stunning car chase between James Bond and Xenia Onatopp. As they race, panning, tracking, close ups, and long shots are all used. Accompanied by even more advanced techniques such as passing shots, crane shots and cutaways. As the two cars race towards the cyclists, a cutaway is used to show the advancing cars approaching the danger. This allows the audience to know what could happen. The credits once again are far superior to all previous Bond films. Like in ‘Live and Let Die’ the opening credits are shown after a small clip of the film, but with even further delay. ‘Goldeneye’ shows women at work on a very advanced computer generated background. Many long and slender guns are shown all around women. This is a phallic reference to Bond’s masculinity and virility.

Join now!

 

        As the films progress, the sounds – unlike the camera angles – have remained fairly similar. Non-diegetic sounds have been used throughout all Bond films. In ‘Dr.No’ less non-diegetic sounds occur than in ‘Goldeneye’, yet they are still a regular occurrence. Within all the films sounds are enhanced to add that cinematic feeling. For example, in 'Dr.No' African assassins break through the window and shoot Strangways' secretary, the glass shattering is enhanced as is the shooting. Music in ‘Dr.No’ is used widely to build tension as well as to draw out emotions. To suit the 1960’s audience, reggae music ...

This is a preview of the whole essay