Look at how Saving Private Ryan portrays war - analyse the first few scenes, look at the way the lights are set and how the cameras are placed and used - see the way the actors act and try and say why.

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Saving private Ryan

        In this course work I am going to look at how Saving Private Ryan portrays war. I m going to analyse the first few scenes. I will look at the way the lights are set and how the cameras are placed and used. I will see the way the actors act and try and say why.

        In the opening scene we first begin with a mid-shot of an old man and his family. Where the family is walking is quite important. We can see that they are all walking behind him as if to show that this is his moment but they are still there to support him. There is a member of the family that is taking photos of the graveyard so that they can remember this special time. As we continue u we have two Long shots of the American and French flags. This shows us that the graveyard is for American soldiers and is in France. We continue to see many long shots of gravestones and this brings out many emotions in the viewer about how we feel for the soldiers who died here. Eventually after several shots between him and the graveyard, he comes to a specific grave it is quite important that we do not see the name. When he arrives there he falls to the floor and holds his face. We have a very close up shot of this so that we can catch all the emotion in his face. This entire scene has been quite quiet and tranquil with very vibrant colours. The only sound we predominantly have is that of some very patriotic music that also portrays the feeling and honour of the graveyard.

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        As this scene comes to an end it slowly fade into the next. The patriotic music slowly quietens down only to bring in the noise of the sea in a landing craft. As the picture returns it is immediately clear that the colours have been toned down and are much more earthy and dull. The sky is overcast. From just the colours we get a far more grim feeling. It portrays a very bad thing to come even before we know what is going to happen.

        The first thing the viewer sees once they are in the landing craft is ...

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A decent analysis that accurately identifies aesthetic and ideological effects the film-maker desires these sequences to have upon the audience. As an account, it focusses strongly upon the story, but tells us less about the specifics of the narrative: the types of shot, the sound design, the costumes, the editing, the symbolism, the way that characterisation is achieved. There is some of this kind of detail, but on the whole the account is somewhat lacking in concrete analysis of the actual film language. 3 stars.