The famed director often capitalized on a 'red herring' or gimmicky plot element to catch the viewer's attention - dubbed a McGuffin (or MacGuffin), that would propel the plot along its course. Usually, the McGuffin initially appears to be of utmost importance, but functions to intentionally misdirect the audience - it then quickly fades into the background and ends up being trivial, irrevelant, or incidental to the film's story. Here is a list of various MacGuffins:
-
: the nature of the 39 Steps, and the smuggling of secret plans (vital to the country's air defense) out of the country
-
The Lady Vanishes (1938): the coded message contained in a piece of music
-
: the character of the first Mrs. De Winter - Rebecca
-
: the radioactive material (uranium ore) found in vintage wine bottles
-
Strangers on a Train (1951): Guy's cigarette lighter
-
: the suspected 'murder' committed by apartment tenant Lars Thorwald (Raymond Burr)
-
: the character of "George Kaplan" (mistakenly thought to be Cary Grant) who is being chased by spies, and the secret microfilm
-
: the stolen money, the $40,000 wrapped up in a newspaper in the motel bedroom
-
: the cause of the strange bird attacks
-
Torn Curtain (1966): the secret formula (known by Professor Gustav Lindt) for an anti-nuclear missle device the East Germans have been developing
-
Topaz (1969): what is Topaz? who is it? who is in it?
Hitchcock usually cast leading actors against type (Gregory Peck, James Stewart, Cary Grant) opposite cool blondes (Madeleine Carroll, Joan Fontaine, Ingrid Bergman, Grace Kelly, Kim Novak, Janet Leigh, Tippi Hedren) who were often subject to misogynistic abuse, threatening humiliation, or murder. Hitchcock would then explore the darker sides of human nature through the situation, including sexuality and voyeurism, guilt and punishment, or paranoia and obsession. He usually let the viewer know that some horrible event would happen - creating unbearable suspense while viewers waited for the inevitable.
Notable examples of Hitchcock's early British suspense-thriller films include The Man Who Knew Too Much (1933), his first great spy-chase/romantic thriller with Robert Donat handcuffed to Madeleine Carroll, and the best film of his British period - the mystery The Lady Vanishes (1938). Extending his work into the 1940s in a number of brilliant black-and-white films, Hitchcock continued to perfect his recognizable brand of suspense-thriller, producing , the haunting Oscar-nominated about the strange romance between a young woman (Joan Fontaine) and an emotionally-distant rich widower (Laurence Olivier) - overshadowed by a vindictive housekeeper (Judith Anderson), Suspicion (1941) about a woman in peril from her own husband (cast against type Cary Grant), Saboteur (1942), - Hitchcock's own personal favorite and based upon the actual case of a 1920s serial killer known as 'The Merry Widow Murderer', Spellbound (1945), and .
In the 1950s, Hitchcock added technicolor to his still-brilliant dark and moody films, now with exotic locales and glamorous stars. He reached the zenith of his career with a succession of classic films:
-
the suspenseful black and white Strangers on a Train (1951) about two train passengers: tennis pro Guy (Farley Granger) and Bruno (Robert Walker), who staged a battle of wits and traded murders with each other
-
Dial M For Murder (1954), with Ray Milland as a villainous husband who attempts to murder his wealthy wife (Grace Kelly) - also shot in 3-D
-
- a masterful study of voyeurism confined to a Greenwich Village apartment complex and courtyard, with Grace Kelly as a seductive girlfriend to beau James Stewart
-
, a lightweight thriller set in S. France
-
The Man Who Knew Too Much (1956) - a remake of Hitchcock's own 1934 spy thriller
-
, one of Hitchcock's greatest films, with James Stewart as a retired police detective who becomes obsessed with the disturbed enigmatic 'wife' (Kim Novak) of an old friend
-
and the entertaining, romantic comedy/spy thriller about an advertising executive (Cary Grant) mistakenly acquiring the identity of a fictional governmental agent, and his encounter with an icy blonde Eva Marie Saint
After Hitchcock's classic films of the 1950s, his films were wildly uneven, although he produced the shocking and engrossing thriller about a loner mother-fixated motel owner and taxidermist - with the classic set piece (the 'shower scene'), and the suspenseful and strangely terrifying about a invasion of birds in a N. California coastal town and its effect upon archetypal cool blonde Tippi Hedren. His film Frenzy (1972), Hitchcock's first British film in almost two decades, was given an R rating for its vicious and explicit strangulation scene.
Influenced by Hitchcock:
To Hitchcock's tribute, there are a number of Hitchcock-like thrillers from other notable directors. All of these films serve up thrilling tales of terror, intrigue, menace, revenge, obsession, and insanity:
-
the film-noirish and intriguing Niagara (1953) by Henry Hathaway, with Marilyn Monroe as the voluptuous and trashy femme fatale who schemes to kill her unstable husband (Joseph Cotten)
-
director Robert Aldrich's violent and fast-paced film noirish thriller featured Ralph Meeker as a hard-nosed detective amidst fears of nuclear apocalypse
-
, director Charles Laughton's sole film, brilliantly-played with Robert Mitchum as a Bible-thumping, homicidal preacher victimizing two young children with a secret about the location of stolen money
-
director Orson Welles' unique crime thriller, , with a pre-Psycho Janet Leigh as a terrorized wife, Charlton Heston as a Mexican-American narcotics agent, and the director himself as an evil border-town cop
-
director Michael Powell's perverse, tense and reviled Peeping Tom (1960), with Carl Boehm as a psychopathic, reclusive cameraman - the film was released prior to Hitchcock's , and helped pave its way
-
J. Lee Thompson's Cape Fear (1962) with Robert Mitchum as an angry, menacing ex-con seeking revenge at an attorney (Gregory Peck) and his family; much superior to the 1991 remake by Martin Scorsese with Robert DeNiro and Nick Nolte
-
director Stanley Donen's stylish, romantic thriller with numerous plot twists, identity-changes, and a search for hidden loot, and starring the charming pair of Cary Grant and Audrey Hepburn on location in Paris
-
Roman Polanski's first film in English, the frighteningly-surrealistic Repulsion (1965) - with Catherine Deneuve as a young woman who goes increasingly mad
-
Wait Until Dark (1967) by director Terence Young (known for and From Russia With Love (1963)), with Audrey Hepburn as a victimized blind woman in her Manhattan apartment and Alan Arkin as the evil and sadistic con man searching for drugs (hidden in a doll) - with a tremendous, lights-out finale
-
Steven Spielberg's low-budget early TV movie Duel (1971), about road rage between a hapless traveling salesman (Dennis Weaver) and the unseen, relentless driver of a truck
-
Clint Eastwood's directorial debut film, , about a California disc jockey pursued by a disturbed female listener (Jessica Walter)
-
director Nicolas Roeg's edgy, puzzling and macabre Don't Look Now (1973), a tale of despair in Venice, with Donald Sutherland and Julie Christie as a couple grieving the drowning death of their daughter
-
Irvin Kershner's The Eyes of Laura Mars (1978), with Faye Dunaway as the title character - a stalked photographer
-
Phillip Noyce's Dead Calm (1989), with a riveting Nicole Kidman who must fight for her life on a yacht against a crazed castaway (Billy Zane)
-
director Rob Reiner's excruciatingly frightening Misery (1990), based on the best-seller by horror writer Stephen King, with Kathy Bates as an unbalanced fan named Annie who terrorizes, in her care, an incapacitated author named Paul (James Caan) of romance novels; in one horrifying scene, she 'hobbles' his ankles so that he can't escape
-
Curtis Hanson's The Hand That Rocks the Cradle (1992), with Rebecca De Mornay as a nanny intent on seeking revenge against her dead obstetrician husband's patient (Annabella Sciorra)
-
Barbet Schroeder's suspenseful Single White Female (1992), with Bridget Fonda and her obsessed roommate-from-hell Jennifer Jason Leigh
-
The Fugitive (1993), with Harrison Ford as the wrongfully-accused physician who is pursued by US Marshal Tommy Lee Jones - adapted from the popular 60's TV series
-
Sydney Pollack's The Firm (1993) with Tom Cruise, based on John Grisham's best-selling novel about a corrupt, crime-ridden law-firm
-
Harold Becker's Malice (1993), with Alec Baldwin and Nicole Kidman
-
and writer/director Anthony Minghella's psychological thriller The Talented Mr. Ripley (1999)
Brian De Palma:
Director Brian De Palma's earliest, heavily-stylistic films (often with reconstructed scenes from other films) are particularly reminiscent of Hitchcock's tense horror thrillers, with themes of guilt, voyeurism, paranoia and obsession. Similar plot elements include killing off a main character early on, switching points of view, and dream-like sequences, in the following:
-
the innovative, visually-striking psycho-thriller Sisters (1973) - a tale of murderous Siamese twins, with music from Hitchcock's frequent and favorite collaborator, composer Bernard Herrmann
-
the horrific telekinetic classic Carrie (1976), an adaptation of a Stephen King novel, about a tormented high-schooler (Sissy Spacek) who ultimately finds revenge after being humiliated at a school prom
-
the under-rated Obsession (1976), somewhat inspired by Vertigo, with another Herrmann score
-
Dressed to Kill (1980), inspired by Psycho and Vertigo, with Angie Dickinson as a frustrated patient who shares her sexual fantasies with a therapist (Michael Caine) before being brutally murdered by a blonde razor-slasher
-
Blow Out (1981), similar to Coppola's and Antonioni's , about a sound-effects man who witnesses the 'accidental' killing of a presidential candidate
-
the daringly-erotic Body Double (1984), about a struggling B-movie actor who becomes involved in a tale of intrigue and mystery involving his next-door neighbor
Other Great Thrillers:
The acclaimed police thriller was based on the true story of two New York City narcotics officers (Gene Hackman as Popeye Doyle, and Roy Scheider as Buddy) who pursue the largest heroin smuggling group in history. The film that brought Steven Spielberg to prominence was his terrifying summer blockbuster hit , a frighteningly tense and shocking thriller inspired by real life East Coast shark attacks in 1916. John Boorman's followed the perilous fate of four Southern businessmen during a weekend's shoot-the-rapids trip. Two nail-biting films, both adult shockers, and Fatal Attraction (1987), involved the nightmarish, dangerous consequences of a philandering one-night stand - one with a psychotic girlfriend, the other a spurned lover. In Francis Ford Coppola's tense character study/thriller , a bugging-device expert systematically uncovered a covert murder. A battered wife who left her sadistic husband to find a better life was vengefully pursued in Sleeping with the Enemy (1991).
Jonathan Demme's highly-acclaimed Best Picture-winning horror/thriller pitted young FBI agent/trainee Jodie Foster in psychological warfare against a cannibalistic psychiatrist named Dr. Hannibal "the Cannibal" Lecter (Anthony Hopkins), while tracking down transgender serial killer Buffalo Bill. And Jan De Bont's combination action/thriller Speed (1994) perfectly captured the heart-stopping suspense aboard a Los Angeles city bus threatened by a mad bomber (Dennis Hopper). In Michael Mann's and DreamWorks' gritty Collateral (2004), Tom Cruise plays a taxi-riding hit man and Jamie Foxx as the cabbie.
Costa-Gavras' Z (1969) told of the assassination of a Greek, left-wing nationalist in the 1960s. Joseph Sargent's Colossus: The Forbin Project (1970) was a cautionary thriller about technology running amok, while Sidney Lumet's The Anderson Tapes (1971) was a crime-caper thriller. Robert Wise's The Andromeda Strain (1971), adapted from Michael Crichton's best-seller, was about the threat of an alien virus. Alan Pakula's All the President's Men (1976), starred Dustin Hoffman and Robert Redford as two Washington Post reporters investigating the Watergate scandal which ultimately led to President Nixon's resignation. John Schlesinger's spy-thriller contained a memorable torture scene performed by Laurence Olivier (as a former concentration camp dentist) upon hapless college student-victim Dustin Hoffman.
John Frankenheimer's Black Sunday (1977) was an unbelievable film (at the time) about terrorists plotting to use a Goodyear blimp to crash into the Super Bowl. James Bridges' The China Syndrome (1979) was a thrilling drama about a possible nuclear accident and cover-up near Los Angeles, with Jane Fonda as a television news reporter and Jack Lemmon as the nuclear power plant's whistle-blower, after discovering that the X-rays used to check key welds at the plant have been falsified. The film's title referred to the idea that a massive nuclear accident would cause enough thermonuclear heat to conceivably melt down into the ground under the plant and all the way to China. The film's popularity was considerably enhanced when a 'real' nuclear power plant accident occurred at Three Mile Island in Pennsylvania about two weeks after the film's release. The film was also noted for not having a traditional music soundtrack, except for the song "Somewhere In Between" played during the opening credits.
Thrillers With Convoluted Plot Twists:
Recently, various thrillers have used twisting plots and surprise endings to capture audiences, notably:
-
Bryan Singer's clever and hip The Usual Suspects (1995), with Kevin Spacey as a club-footed con man and a central mystery surrounding the character of Hungarian mobster Keyser Soze
-
director David Fincher's compelling crime thriller Se7en (1995), about the search for a serial killer who re-enacts the seven deadly sins
-
M. Night Shyamalan's effective The Sixth Sense (1999), about a young boy (Haley Joel Osment) who sees "dead people" - this was Shyamalan's signature film with clever clues sprinkled throughout the film; also Shyamalan's spooky Signs (2002), about a disillusioned minister (Mel Gibson) who encounters gigantic, eerie crop circles on his farm
-
writer/director Christopher Nolan's Memento (2000), a tale told backwards, with Guy Pearce as a tattooed man without short-term memory, who hunts down the killer of his wife
Espionage/Spy Film Thrillers: Introduction
A sub-genre of the thriller/suspense film is the espionage/spy film which can be in the form of a drama, melodrama, comedy, or a good-humored action thriller, set either during wartime or in the Cold War Era. The spy film was most popular during the 1960s when the Cold War was in evidence, and audiences demanded more action/thriller-suspense pictures. [Spies and espionage plots have also been the basis for many TV shows, such as The Man from U.N.C.L.E, I Spy, Alias, and the UK's The Avengers.]
Espionage films could either be serious, fact-based stories (i.e., The Spy Who Came In From the Cold (1965) or films based upon novelists' fictional or fact-based works), or fanciful-escapist films (such as the James Bond series). Spies in real-world situations are often murky, unknown characters who don't want to be revealed, but are truly unknown, non-flashy undercover agents. In any case, most spy films usually depicted spies and/or secret agents seeking to uncover or maintain secrets (often for military use) from each other (or from each other's countries). Spies were usually portrayed as masquerading, amoral, and deceitful characters ready to betray others.
Hitchcock's Spy-Related Films:
As already noted, many of Alfred Hitchcock's suspense/thriller films, especially during his early years, were espionage/spy subgenre films, and he was responsible for the popularity of this kind of film. Most notable were:
-
The Man Who Knew Too Much (1934)
-
-
Secret Agent (1936)
-
Sabotage (1936)
-
The Lady Vanishes (1938)
-
-
Saboteur (1942)
-
, with playgirl Ingrid Bergman who 'prostituted' herself by marrying Rio de Janeiro neo-Nazi Claude Rains in order to obtain secrets about uranium (the MacGuffin) in his wine cellar, while engaged in a love triangle with icy Cary Grant as American secret agent Devlin
-
, a 'wrong man' story in which Cary Grant was mistaken for non-existent secret agent George Kaplan, and faced villainous James Mason
'Pre-James Bond' Spy Films with Memorable Spy Agents:
-
Fritz Lang's Spies (1928), the director's first independent production, with an anarchist international conspirator and criminal spy character named Haghi (Rudolf Klein-Rogge), who was pursued by good-guy Agent No. 326 (Willy Fritsch) (aka Det. Donald Tremaine, English version) - this film anticipated the James Bond films of the future
-
Greta Garbo's portrayal of the real-life, notorious, seductive German double-agent code-named Mata Hari (Gertrud Zelle) in WWI in Mata Hari (1932), who performed a pearl-draped dance to entice French officers to divulge their secrets, but in real-life was shot by a French firing squad in 1917 for espionage; other actresses who starred as the WWI undercover agent include Asta Nielsen in Mata Hari (1920), Magda Sonja in Mata Hari (1927, Ger.), Marlene Dietrich as Agent X-27 in Dishonored (1931), Jeanne Moreau in Mata Hari Agent H 21 (1965, Fr.), Zsa Zsa Gabor in the comedy Up the Front (1972), Sylvia Kristel in the R-rated Mata Hari (1985), and Maruschka Detmers in Mata Hari, la vraie histoire (2003, TV)
-
Confessions of a Nazi Spy (1939)
-
The House on 92nd Street (1945)
-
Fritz Lang's atmospheric post-war spy melodrama Cloak and Dagger (1946), with Gary Cooper starring as atomic scientist and physics professor Alvah Jasper (a character based upon A-bomb co-developer J. Robert Oppenheimer), on a mission to discover Germany's secret plans to build an A bomb
-
Henry Hathaway's 13 Rue Madeleine (1947), a documentary-style wartime espionage tale with James Cagney (as Bob Sharkey), an O.S.S. (Office of Strategic Services) agent sent into occupied France to uncover the site of a German missile silo before the Allied landing at Normandy on D-Day
-
Henry Hathaway's Diplomatic Courier (1952), with Tyrone Power as an undercover secret agent in search of documents with details of the Russian invasion of Yugoslavia
-
James Mason as undercover agent Ulysses Diello (code-named Cicero), working in the British embassy in Turkey during WWII, and selling secrets to the Nazis, in Joseph Mankiewicz's Five Fingers (1952), based upon the novel Operation Cicero by real-life "Cicero" L.C. Moyzisch (based on a true story)
James Bond Espionage-Secret Agent Thrillers:
The modern day action-hero - the James Bond '007' character that was employed for Her Majesty's Secret Service - was loosely based on the agent/spy character in Britisher Ian Fleming's twelve James Bond novels. A number of Fleming's short stories were developed by other writers. Before the movies, Bond made his first appearance on TV, debuting on CBS in 1954, with Barry Nelson as the American 007 agent named Jimmy Bond in an adaptation of Fleming's first Bond novel, Casino Royale.
The first in a successful series of suspenseful, special agent 007 James Bond films, begun in the Cold-War 1960s and serving as a metaphor for the threat of Communism, was followed soon after by the definitive Bond film, From Russia With Love (1963), and the polished Goldfinger (1964). The intriguing superhero lead role has been played by five actors: Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, and Pierce Brosnan.
Beginning in the Cold War 60s (after restrictions on violence and sex were lifted somewhat), the slick, escapist Bond action/adventure Spy Films were appealing to large audiences with their exotic, travelogue locales, tongue-in-cheek humor and dialogue, nifty gadgets and ingenious toys to combat evildoers, fast-action suspense and audacious stunts, and gorgeous, scantily-clad sexy women. The action-oriented, sophisticated, and skillful agent, with a taste for dry martinis ('shaken, not stirred'), fancy clothes (often tuxedos) and cars (notably the Aston Martin DB5, the Lotus Esprit, and various BMWs), battled various types of eccentric, deadly and infamous criminals who planned to assault the world. The flashy agent bore little resemblance to the real shadowy world of espionage. (See for more details on all of the Bond films.)
James Bond's Imitators:
Bond's imitators and knock-offs included the following serious (and spoofing) characters and films:
-
a secret agent named Hubert Bonnisseur de la Bath—alias O.S.S. 117, was created by French thriller novelist Jean de Bruce; the character was a wealthy Louisiana gentleman who spied for the American OSS, and was found in a number of films (pre- and post-Bond) popular with European audiences: OSS 117 Is Not Dead (1956, Fr) (aka OSS 117 N'Est Pas Mort), O.S.S. 117: Double Agent (1967) and No Roses For OSS 117 (1968, Fr) (aka Pas De Roses Pour OSS 117) - both with John Gavin as the agent
-
another similar agent in France was named Francis Coplan, in Coplan Secret Agent FX 18 (1964, Fr)
-
Norman Taurog's spy spoof Dr. Goldfoot and the Bikini Machine (1965), a predecessor of the Austin Powers films, starred Vincent Price in a campy role as the title character who invented exploding bikini-clad women and threatened the world, and Frankie Avalon as secret agent Craig Gamble; the sequel was Mario Bava's Dr. Goldfoot and the Girl Bombs (1966) (aka The Amazing Dr. G, and The Spy Who Came In From the Fairly Cold), again with Vincent Price as a megalomaniac with more exploding fembots (with the detonation device in their belly buttons)
-
Joseph Losey's light-hearted, James Bond spy comedy-spoof Modesty Blaise (1966), was based upon a British newspaper comic strip series, with Italian star Monica Vitti (in her first English-language film) in the title role opposite Dirk Bogarde as the villain
-
Robert Vaughn was master spy Napoleon Solo (code-named The Man From U.N.C.L.E., a government enforcement agency meaning the United Network Command for Law and Enforcement) who frequently battled the evil T.H.R.U.S.H. (Technological Hierarchy for the Repression of Undesirables and the Subjugation of Humanity), in To Trap A Spy (1966), the original pilot for the popular TV series in the 60s released as a theatrical film; Vaughn was partnered with David McCallum as blonde-haired Russian secret agent Illya Kuryakin
-
James Coburn starred as Derek Flint, a playboy hero in the spy films: Our Man Flint (1966), and In Like Flint (1967); Flint was an agent of Z.O.W.I.E. (Zonal Organization World Intelligence Espionage); Ray Danton also played Flint in a 1976 TV pilot
-
Columbia contract star Dean Martin portrayed Matt Helm (based on the spy in Donald Hamilton's novels) in four tongue-in-cheek films between 1966 and 1968: The Silencers (1966), Murderer's Row (1966), The Ambushers (1967), and The Wrecking Crew (1968); none of the films' titles had anything to do with their plots; Helm was a cheesecake model photographer-turned-American agent for ICE (Organization for Intelligence and Counter-Espionage)
-
Richard Johnson was featured in the resurrected role of British agent Bulldog Drummond (a suave, gentleman-spy hero in many films mostly made between the silents through to the late 40s) in Deadlier Than the Male (1967) and Some Girls Do (1969)
-
Neil Connery (Sean Connery's/James Bond's brother) appeared in an action-spy film titled Operation Kid Brother (1967) (aka O.K. Connery), also featuring perennial Bond characters Bernard Lee and Lois Maxwell (although not identified as M or Miss Moneypenny)
-
Frankie Avalon (and B-movie hunk George Nader) starred as US espionage agents teamed with British intelligence to combat Goldfinger's Shirley Eaton as the beautiful but deadly Su-Muru (a character based on a series of Sax Rohmer novels) intent on world domination with a vast band of man-hating women, in The Million Eyes of Sumuru (1967) (aka The 1000 Eyes of Su-Muru)
-
David Niven headlined Casino Royale (1967) - a direct spoof of the James Bond character
-
sexy Raquel Welch sizzled as Fathom Harvill, a champion sky diver recruited by a Western spy organization for a top secret mission in Fathom (1967), co-starring Tony Franciosa as millionaire Peter Merriwether, who was believed to possess an H-bomb detonator known as the Fire Dragon
-
When Eight Bells Toll (1971) was adapted from Alistair MacLean's bestselling book, and set in the Scottish Highlands, with Anthony Hopkins in a Bond-like role as Philip Calvert in a search for missing/stolen government gold bullion
-
The Tall Blonde Man with One Red Shoe (1972, Fr.) was a wacky French spy comedy with Pierre Richard, followed by a sequel two years later: The Return of the Tall Blonde Man with One Black Shoe (1974)
-
Le Magnifique (1973, Fr.) (aka How to Destroy the Reputation of the Greatest Secret Agent in the World), was a spy-comedy parody of the James Bond films, starring Jean Paul Belmondo
-
John Landis' 'Road' spy comedy Spies Like Us (1985) featured Chevy Chase and Dan Aykroyd as two aspiring but misfit CIA agents
-
the spy-comedy spoof, Leonard, Part 6 (1987), a big flop, starred Bill Cosby as ex-agent Leonard Parker engaged in a mission to stop the evil Medusa (Gloria Foster)
-
If Looks Could Kill (1991) - the feature film debut of Richard Grieco, a teen-oriented spoof of the James Bond films
-
The Double O Kid (1992) was another juvenile-oriented spoof/parody about a youthful rookie spy (Corey Haim)
-
Spy Hard (1996), a low-brow spy comedy, with Leslie Nielsen as Dick Steele (Agent WD-40), with aid from Russian agent Veronique Ukrinsky (Nicolette Sheridan), against armless mad-man villain Andy Griffith - who has plans to conquer the world
-
Mike Myers appeared as the International Man of Mystery in the satirizing spy spoofs Austin Powers: International Man of Mystery (1997), Austin Powers: The Spy Who Shagged Me (1999), and Austin Powers in Goldmember (2002), all by director Jay Roach
-
Johnny English (2003), a comedy of errors spy film with Rowan Atkinson (known for roles as Mr. Bean) as the bumbling superspy title character, another funny parody of the James Bond films
-
Malcolm in the Middle star Frankie Muniz was teenaged CIA super-agent Banks in Agent Cody Banks (2003), and in the sequel Agent Cody Banks 2: Destination London (2004)
Spy and Thriller Films After James Bond:
On the flip side of the James Bond series were other tense, Cold War political tales of espionage and intrigue including the ultimate political thriller about brainwashing and political assassination - , Fail Safe (1964) about a doomsday scenario (released less than a year after Kubrick's black comedy with the same plot - ), Edward Dmytryk's Mirage (1966) with Gregory Peck and Diane Baker, and Seven Days in May (1964).
More modern, complex, high-intensity political thrillers with paranoic political atmosphere, double- and triple-crosses, threats to entire countries, spies, assassins, conspiracies, and electronic surveillance include:
-
the 'Harry Palmer' spy mystery trilogy featured a reluctant, bespectacled, unglamorous British secret serviceman (Michael Caine) (from the best-selling novel by Len Deighton) in The Ipcress File (1965), Funeral in Berlin (1967) and Billion Dollar Brain (1967); also two other obscure follow-up action/spy thriller films with Michael Caine reprising his role were: Bullet to Beijing (1995) and Midnight in St. Petersburg (1997)
-
Richard Burton was British undercover agent Alec Leamas (code-named Expendable) behind the Iron Curtain in Martin Ritt's unglamorized and bleak The Spy Who Came in From the Cold (1965), adapted from John Le Carre's novel; the spy character George Smiley was played by Rupert Davies in the film (and made famous by Alec Guinness on TV)
-
an American version of 'Harry Palmer' with a Harold Pinter screenplay from the first of Adam Hall's many Quiller novels - was Quller, an agent (George Segal) called upon by Alec Guinness to infiltrate the neo-Nazis (led by Max von Sydow) in post-war Berlin, in The Quiller Memorandum (1966)
-
Sidney Lumet's The Deadly Affair (1967), based John LeCarre's Call for the Dead with James Mason as a British secret agent
-
Terence Young's The Triple Cross (1967), based on a true story, starred Christopher Plummer as Eddie Chapman, a safe-cracker who joined with the Germans during the war, and then became a British double-agent
-
director Fred Zinnemann's political thriller The Day of the Jackal (1973) was about an attempt on the life of French President Charles DeGaulle
-
Don Siegel's The Black Windmill (1974), derived from the Clive Egleton novel Seven Days to a Killing, with Michael Caine as MI-5 operative John Tarrant, an espionage agent whose son has been kidnapped
-
Francis Ford Coppola's , filmed during the Watergate era, was about a wire-tap, sound surveillance expert named Harry Caul (Gene Hackman) who discovered more than he bargained for
-
director Alan Pakula's The Parallax View (1974) told of a conspiracy, led by the Parallax Corporation, surrounding the assassination of a US Senator running for President that was witnessed by investigative reporter Joseph Frady (Warren Beatty)
-
The Odessa File (1974) was loosely based upon the Frederick Forsyth novel, a tense political thriller with Jon Voight as a German reporter searching for missing Nazi war criminals in 1963 Hamburg, Germany, and taking on the Israeli Secret Service (a group called Odessa), and Maximilian Schell as the evil villain
-
Sydney Pollack's box-office hit Three Days of the Condor (1975) starred Robert Redford as a US intelligence researcher on the run from professional assassin Max Von Sydow; based on James Grady's novel Six Days of the Condor
-
Sam Peckinpah's final film, the plot twisting spy film The Osterman Weekend (1983), was based on Robert Ludlum's best-selling novel and starred John Hurt as creepy CIA agent-spy Lawrence Fassett
-
UK's political conspiracy thriller Defence of the Realm (1985), featured Gabriel Byrne as a reporter investigating a covert operation
-
John MacKenzie's action-spy thriller The Fourth Protocol (1987), derived from a script by the original novelist Frederick Forsyth, featured Michael Caine as British intelligence agent John Preston and Pierce Brosnan as bad-guy Russian agent Maj. Valeri Petrofsky
-
in the 1990s, Tom Clancy's techno-thriller novels provided the plots for numerous films with an all-American hero and CIA agent Jack Ryan: in The Hunt for Red October (1990) with Alec Baldwin, Patriot Games (1992) and Clear and Present Danger (1994) with Harrison Ford, and The Sum of All Fears (2002) with Ben Affleck
-
Phil Alden Robinson's techno-action thriller Sneakers (1992) told of a mission by leader Robert Redford (and a group of renegade hackers) to obtain a code-breaking machine that could penetrate any computer system on Earth, with the ponytailed mastermind villain played by Ben Kingsley
-
James Cameron's recent action-filled True Lies (1994) starred Arnold Schwarzenegger as Omega Sector secret agent Harry Tasker
-
Brian De Palma's glossy and complex blockbuster Mission: Impossible (1996), featured high-powered star Tom Cruise, clever gadgets, exotic locales, great action sequences, double-crosses, etc., and was based upon the 60's TV show of the same name (also noted for techno-gadgetry, face-mask impersonations, and fast action)
-
writer/director Luc Besson's action thriller La Femme Nikita (1990) (aka Nikita), was a significant spy film about a young female political assassin (played by Besson's wife Anne Parillaud); it was remade in Hong Kong as Black Cat (1991) and in the US by director John Badham as Point of No Return (1993) with Bridget Fonda
-
Gillian Armstrong's Charlotte Gray (2001), a wartime romance and spy film, based on the best-selling novel by Sebastian Faulks, starring Cate Blanchett as the title character, a Scottish woman serving as a spy for the French resistance forces while being a nanny and searching for her lover - a downed RAF pilot
-
Michael Apted's WWII spy film Enigma (2001), had some authentic depictions of code-breaking and intelligence technology developed during WWII to decode secret German messages
-
John Boorman's The Tailor of Panama (2001) based on John Le Carre's 1996 novel by the same name, starred Bond actor Pierce Brosnan as non-Bondish British spy Andrew Osnard, and was set in the Panama Canal area in late 1999
-
Robert Rodriguez' stunt-filled Spy Kids (2001), starred young agents Alexa Vega (as Carmen) and Daryl Sabara (as Juni), children of a pair of secret agents, who must save their parents; sequels included Spy Kids 2: The Island of Lost Dreams (2002), and Spy Kids 3-D: Game Over (2003)
-
Rob Cohen's spy-thriller XXX (2002) tried to re-make James Bond for the next generation of viewers in the persona of Vin Diesel as Xander Cage, a nihilist extreme sports enthusiast nicknamed "Triple X", who was recruited by a covert government agency to infiltrate a Russian crime ring called Anarchy 99
-
director Doug Liman's The Bourne Identity (2002), from Robert Ludlum's best-selling novel was about code-named Jason Bourne (portrayed by Matt Damon) as an amnesiac agent with martial-arts skills; Richard Chamberlain starred as Bourne, opposite Jaclyn Smith, in the 1988 TV-movie/mini-series version of the same novel; also the sequels The Bourne Supremacy (2004) and The Bourne Ultimatum (2006)
-
Roger Donaldson's The Recruit (2003), with Colin Farrell as a recent MIT graduate recruited by Al Pacino to be trained as a CIA agent
-
director/screenwriter Stephen Gaghan's political thriller Syriana (2005) was based upon Robert Baer's real-life experiences as an American intelligence agent in the Middle East, written up in his book See No Evil: The True Story of a Ground Soldier in the CIA's War on Terrorism; starred George Clooney as Baer and Matt Damon as an oil executive
-
director/star Robert DeNiro's The Good Shepherd (2005) was a film about the CIA's inner workings
Thriller set in San Francisco. An heiress is murdered in her beach house, her husband, a newspaper publisher, then inherits her fortune. He is charged with the murder, and is defended by a female attorney, who after being convinced of his innocence, falls in love with him.