Identity Anxiety

Kate Chanock

In academic circles, identity has become the New Black: basic but sophisticated, essence yet also artifice. The Humanities’ central question -- what it means to be human – is refracted through the prism of postmodernism into questions about what it means to be any particular kind of human, in any particular time and place. In history, sociology, anthropology, linguistics, politics, literature, media or cultural studies, our students go home each semester with assignments asking them to look at how identity is defined, inherited, shaped, nurtured, cherished, celebrated, colonized, contested, denied, suppressed, lost, forgotten, damaged, destroyed, reclaimed, reinvented, sought or bought, branded, marketed, imagined, remembered, realized, enacted or expressed. But bound up with the urge to examine who we are, how we know, and why it matters, is a sense of the fragility of identity. Just when globalization suggests the possibility of living as a citizen of the world, we shrink back, like the silkworms in Douglas Stewart’s poem, which have lived “all their lives in a box!” -- and, even when the lid is taken off, will not climb out.

Once agents in the export of identity from the cultural West, Australians now fear colonization by American popular – and unpopular – culture. The seas which have always washed in and out of the tide pool of Australian culture seem likely to submerge it under a wrack of American television formats, fast foods, and fashions. “Free” trade, we worry, will replace our home-grown imagination with alien cultural products. Political alliances will mean compliance with a world-view in which imposition, rather than exchange, is the norm. In a country whose great strength is its fluidity, its ability to absorb colour and grace from wave after wave of immigrants and still remain grounded, there has emerged a countervailing need to define and defend what is Australian.

For this exercise in self-identification, the Olympic Games were bound to be a proving-ground. Every four years the Australian brand is launched again on the world stage, the narratives of hardship and mateship rewritten, the hopes reinvested, the medals recounted, and the nation reassured. Each athlete, while striving for individual success, is invested with a collective national identity. Globalisation has complicated this ideal in interesting ways, as the global imbalance of opportunity has brought about an athletic diaspora and athletes born in one “homeland” win gold for another. And, if identity is fluid across national borders, it is also contested within them. Cathy Freeman caused much soul-searching when she found the courage to carry the Aboriginal as well as the Australian flag, and made it clear what Australians had to mean if they were to go on calling her “Our Cathy”. Less significant, perhaps, was the furore this year when the Olympic ritual of bonding came unstuck in the rowing final as Sally Robbins collapsed and her teammates socially, if not literally, threw her overboard. For me, however, this drama and the ensuing flood of letters and opinion pieces in the media crystallized a sense of what Australian culture has to lose – and what, perhaps, I am aware of because I am one of the thousands of immigrants who washed up here for economic reasons but found a cultural home in ways I least expected. There is, I think, some cause for anxiety about Australian identity; but the risk is not so much from the seductions of globalization as from the tensions within itself.

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When I came to Australia a quarter of a century ago, as a young mother I was naturalized through my children’s attendance at playgroups, then kinder and school. It was not the rhetoric of a chance for all, but the habits of inclusion that impressed me then. At children's birthday parties, there were no elimination games. Nobody played musical chairs; nobody was Out. The candles on the birthday cake were lit over and over until every child had blown them out. To Australians, this must have seemed normal, but to a foreigner who grew up standing back in small ...

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