• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

The purpose of this report is to organise the temporary exhibition of a collection of Sixties artefacts and memorabilia, loaned to the museum by Mr Peter Van, a private collector, for the duration of a week. This report will outline the logistics involved

Extracts from this document...

Introduction

Museums and Collections Assignment 1 - The Swinging Sixties Show Table of contents 1.0 Introduction 2.0 Loan agreement 3.0 The Collection 4.0 Staff 5.0 Exhibition, Artefact Care and Climate Control 5.1 Fabric, Textiles and Wood 5.2 Hand tools 5.3 Vinyl 5.4 Plastics 5.5 Films and photographs 5.6 Books and magazines 5.7 Large working objects (Motor vehicles) 5.8 Lux 5.9 Pest control 6.0 Transportation 6.1 Inspection and Condition reports 6.2 Packaging 7.0 Events 7.1 Disco Event 7.2 The Film Room 7.3 Lego corner 8.0 Health and safety 8.1 H&S Disco event 8.2 H&S Film Room 8.3 H&S Lego Corner 9.0 Security and insurance 10.0 Costing 11.0 Conclusion 12.0 Reference list 13.0 Appendices 13.1 Time Table 13.2 Excel pay sheet 13.3 Numbered artefacts list 13.4 Annex A, Environmental monitoring policy 13.5 Loans-in form 1.0 Introduction The purpose of this report is to organise the temporary exhibition of a collection of Sixties artefacts and memorabilia, loaned to the museum by Mr Peter Van, a private collector, for the duration of a week. This report will outline the logistics involved in the packing, transportation, monitoring and care of the collection whilst it is in the museums possession. Environmental conditions and security of the exhibition will be taken into account and a maximum budget of �2000 has been allocated. 2.0 Loan Agreement A loan agreement must be signed by both parties and a loans in form must be jointly filled out by the owner and museum. ...read more.

Middle

5.9 Pest control The museum environment is kept very clean and hovered regularly to protect against mite infestations. Glue traps are also kept in display cabinets and the rooms are sprayed with pesticide at night before closing. The RH levels in the rooms are kept between 45-55% which also helps to keep bugs and insects at bay, this RH level differentiates from the sealed artifact display cabinets, however, as stated before, glue traps are placed inside the cabinets and the cabinets are regularly checked for pests. If any are found the artifact is isolated in self sealing polythene bags and the pests are removed and exterminated. If the object is infested then techniques such as freezing, double freezing and anoxia treatments can be used on the artefact. 6.0 Transportation The majority of the collection will transported by myself and two museum volunteers to and from the museum in a large van donated for the days required by Udrive of Poole (donated to the museum on the understanding that we will display two large banners at the museums entrance for the duration of the exhibition, these banners bear the Udrive company logo and will be supplied by Udrive themselves). The Austin Mini Cooper will be delivered by Mr Van who is going to personally drive the vehicle to the museum and then back after the exhibition has ended removing any need for either a vehicle haulage firm or insurance for the vehicle by the museum whilst it is in transport. ...read more.

Conclusion

London: Routledge. Designer alterations wardrobe care ltd. Acid free tissue paper. London: Total wardrobe care. Available from: http://www.totalwardrobecare.co.uk/xcart/Acid-free-Tissue-Paper.html?gclid=CLKcn8Xx_qYCFcgf4QodBA25eA [Accessed 10th February 2011] Gibson, D., 1984. Caring for Collections. Strategies for Conservation, Maintenance and Documentation. Washington: American Association of Museums. Imperial War Museum, 2004. Loans in checklist. London: Imperial war Museum. Available from:http://www.collectionslink.org.uk/index.cfm?ct=assets.assetDisplay/title/Imperial%20War%20Museum%20Loans%20In%20Checklist/assetId/331 [Accessed 8th February 2011] Imperial War Museum, 2004. Loans in procedure. London: Imperial war Museum. Available from:http://www.collectionslink.org.uk/index.cfm?ct=assets.assetDisplay/title/Imperial%20War%20Museum%20Loans%20In%20Procedure/assetId/327 [Accessed 9th February 2011] MacDonald, S., 1999. The politics of Display. Museums, Science, Culture. London: Routledge. My History, 2003-2009. Acid free storage box. Yorkshire: My History. Available from: http://www.my-history.co.uk/acatalog/Acid-Free_Storage_Boxes_and_Envelopes.html [Accessed 8th February 2011] Munday, V., 2002. Guidelines for Establishing, Managing and Using Handling Collections and Hands on Exhibits in Museums, Galleries and Children's Centres. London: National museums. Available from: http://www.nationalmuseums.org.uk/media/documents/publications/loans_standards_guidelines.pdf [Accessed 4th February 2011] Moore, K., 1994. Museum Management. London: Routledge. The Museums & Galleries Commission., 1998. Effective Exhibitions. Guidelines for good practice. London: Museums & Galleries Commission. The Museums & Galleries Commission., 1998. Improving Museum Security. Guidelines for good practice. London: Museums & Galleries Commission. The Museums & galleries Commission., 1998. Levels of Collection Care. A self-assessment checklist for UK museums. London: Museums & Galleries Commission. Polyvore, 2011. 60's black satin pillbox hats. Available from: http://www.polyvore.com/stunning_vintage_60s_black_satin/thing?id=7868324 [Accessed 6th February 2011] Raja Pack, 2002-2010. Silica Gel. Bedfordshire: Raja Pack. Available from: http://www.rajapack.co.uk/products/bubble-wrap-and-protective-packaging/silica-gel/product/silica-gel.htm?gclid=CP6xhrTggKcCFYEOfAodllThew [Accessed 11th February 2011] Rich, C., 2009. 1960's Fashions. Available from: http://www.fiftiesweb.com/fashion/sixties-fashion-w1.htm [Accessed 6th February 2011] Rusty zipper.com, 1995. Oregon: Rusty zipper. Available from: http://www.rustyzipper.com/womens/pants/capri [Accessed 6th February 2011] Trevelyan, V., 2001. Code of ethics for museums. London: Museums Association. U-Drive, 2009. Vehicle hire. Dorset: U-Drive. Available from: http://www.u-drive.co.uk/display.php?id=2 [Accessed 8th February 2011] ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our University Degree Anthropology section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related University Degree Anthropology essays

  1. 'Is Fashion clothing a form of social control?'

    The hope is that as many people as possible will see their product being used or worn by this high profile person. The same applies to models that are paid to perform in designer clothes to be seen by the public.

  2. Field report - excavation

    Directly ahead on a downhill slope is search site 'A'. This consists of manicured gardens and the huge rockery display behind. Methods * Search area 'A' was allocated to a team of 4 people who arrived at Miller Park at 10.30am.

  1. Arthur Marwick argues that the sixties were characterised by the counter-cultural movements across a ...

    It was due to this social upheaval that sat back and wanted to change the view that Negroes should be excluded and get their views heard. This gave a strong voice to the black civil rights movements. The movements were not opposed to the whole of the mainstream, just the parts that placed restrictions on them.

  2. What is Postmodernism? Fashion in Postmodernism

    Fashion is now all about our identity, reflecting our social class, race, culture, and different subcultures that we may belong to, and its significance is less restricted to the upper classes in metropolitan centers. By way of expanding market and media widespread, western fashion is now taking the initiative in

  1. MYTHS: The Most Persistent, Resilient, Lasting, Enduring Artifacts of Culture

    The characters in myths may really exist except that the way their attributes (or the words used to describe them) may sound unearthly for others. Thus, the reliability and validity of a certain story is biased or dependent on the one who interpreted/told it and what language was utilized.

  2. Franz Boas: Successes and Failures at the Museum of Natural History

    The project was titled the Jesup Expedition and included anthropologists, archeologists, linguists, etc. After five long years of collecting data and variety of artifacts from various cultures the expedition ultimately resulted in failure. Boas published one volume out of an intended series that would provide reports and statistical insight into the details of the expedition.

  1. The issue of whether there was a cultural revolution during the sixties

    He was disturbed that intellectual freedom in research was being replaced by government employed scientists working to achieve a goal, rather than researching for pure gain for knowledge. He saw future problems being caused by the government dependence on science, which could lead to the scientific-technological elite controlling public policy.

  2. How appropriate is the term 'cultural revolution' to describe the events of 'the long ...

    Very many movements we associate with 'the Sixties' were born out of this dammed up frustration from the nineteen fifties. And who were the protestors? There was a 'baby boom' after World War Two so by the nineteen sixties there was a large presence of affluent teenagers in America.

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work