Two of the poems in 'Best Words' are 'seduction poems', rather than love poems. These are 'To his coy mistress' by Andrew Marvell and 'The Flea' by John Donne. Compare these two poems.

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Two of the poems in 'Best Words' are 'seduction poems', rather than love poems. These are 'To his coy mistress' by Andrew Marvell and 'The Flea' by John Donne. Compare these two poems by analysing: -

* Each poets intention

* Form of the poem

* Language used in the poem

* Your reaction to the unromantic poems.

'Let me not to the marriage of true minders/Admit impediments, love is not love', is one of many famous love sonnets written by William Shakespeare. He had examined different parts of love and descried to explain them in a sonnet; where as other poets have written poems with different forms and structure on their points of views about relationships and seduction. In my essay I intend to compare the similarities and differences in two different poems. They are, 'To his coy mistress' by Andrew Marvell which is about time and 'The Flea' by John Donne, to answer, 'Are these poems really dominant with seduction?'

Firstly one similarity between Marvell's 'To his coy mistress' and Donne's 'The Flea' is how they both have the same intention of seducing their mistress. This is shown by 'oh stay, thee lives in one flea spare' and 'and now, like amorous birds of prey. It is evident that love is not a key feature of the poet's relationship. It's more like a balancing act of power between them. However their mistress refuses to succumb to their master's advantages, which lets the women be in control.

This is seen by how in the 17th century, men had the say for everything that happened, so the two versifier try to seduce their mistress. It is evident that the two authors go about it in different ways. In 'To his coy mistress' by Marvell he doesn't try to seduce his mistress, but tries to show is love for her. I know this because the word that makes me see his mistress shy is the word 'coy'. This simply means that his mistress doesn't like to get into nothing with her master. Where as in 'The flea', Donne only has one goal, which in this case is sex. He uses the flea because the flea has made them 'almost married' because of the exchange of blood. This is shown by 'the flea sucked me and sucked you - blood mingled.' It is evident that by using the flea and saying how the flea has married them, now gives Donne the power to follow out his intention, and become in control again of his mistress. Although in the poem's their mistress soon relents, making the poet's argument successful.
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This balancing act of power has then been further complicated in Donne's 'The flea' where it is not simply a care of bedding his lady. Donne is more apprehensive about his intellectual powers, when he says, 'Cruel and sudden, hast thou since'. This quotation has revealed that Donne sees that his act of seduction being prefaced by a battle of wits. But his mistress reveals to him with her skills. As she argues back, 'Find'st not thyself nor me the weaker now'. Despite this rally Donne tries to win the argument by saying, 'Just so much honour, when ...

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